If you're playing a negative character, sooner or later it rubs off on you. Some people don't mind living in that state, but I don't want to be there anymore. I don't want to live in a state of depression.
Things have got to add up to 100 points. The script is part of it, the character is part of it, the people I'm working with is the third part of it - and any combination of the three has got to add up to 100 points.
Well, you know, I never want to feel like I have a set plan of what I'm supposed to do. I kind of like to go script by script, and if I like the character and like the story that's why I want to do a movie.
I think specifically because of the character that I played, people are very connected to her. I used to get letters from young gay and lesbian and trans-gendered kids saying, 'I didn't kill myself because of Buffy'.
Plays are wonderfully different than short stories, first because it's a story that's on a stage, but there's a different sort of tension that appears on stage - you get to see your characters in a different way - like with lights.
Playing the misunderstood character has been really interesting to me. But I think after too long, that also becomes a little bit of a cliche. Or that's all you're expected to do. I didn't want that to be the totality of what my career was.
Pregressive art can assist people to learn not only about the objective forces at work in the society in which they live, but also about the intensity social character of their interior lives. Ultimately, it can propel people toward social emancipati...
I think it's important I stay connected to every part of my personality. I play basketball. I rock climb. I paint. I'm a little bit scattered, but it's so I can convincingly play all these characters.
You can't make a fan of everyone. Stay true to your story, characters, music, art or whatever it is you do and fuck everyone else who doesn't like it. Life isn't perfect.
I want friends, not admirers. People who respect me for my character and my deeds, not my flattering smile. The circle around me would be much smaller, but what does that matter, as long as they're sincere?
I suppose there are actors who are worried about their public image. But I've never had any trouble playing unpleasant characters. It is only a part. Which is why you do it -because you are interested in exploring something you never could or would b...
I'm happy being myself, which I've never been before. I always hid in other people, or tried to find myself through the characters, or live out their lives, but I didn't have those things in mine.
Victory, is like a boxer that hangs his gloves, after the consecutive losses; sometimes walking away is what builds character, than the actual fight. As humble fruit on a tree that falls to the ground and rots, never finding appreciation in the taste...
It is common to distinguish necessaries, comforts, and luxuries; the first class including all things required to meet wants which must be satisfied, while the latter consist of things that meet wants of a less urgent character.
On 'Glee,' we often tackle the tough topics that young people face - in fact, my recurring character, Wade 'Unique' Adams, is a transgender teenager who finds herself navigating a lot of the same problems many young people face around the globe.
I have to be entertained by what I'm writing, so a lot of my stuff has a goofiness or scatological quality. If these characters can entertain me, then I feel like I can deal with the darker or more serious stuff.
My mother is like a character who escaped from the set of a Fellini film. She's a whole performing universe of her own. Activists would run a mile from her because they could not deal with what she is.
Like, on the 'Parks And Rec' set, I still feel like I'm a guest star. Being a fan of the show, it's really surreal to be on the set and see that it's not real, and getting to know the actors and they're not their characters.
My parents were very supportive and always encouraged us. My father was a gentle, nice man. My mother was quite a colorful character and a keen reader who encouraged me to write.
It's hard, because when you talk about process or your characters ruling your narrative, it sounds like you have no control, but obviously you're ultimately the author, so you do have control.
'A Tree Grows in Brooklyn' by Betty Smith is one of my favorites. Even though it doesn't have any monsters or crazy fantasy in it, it's such a raw story, and I can really relate to the characters. I think it's a beautiful story.
