'Deep Red' (1975) is my favorite movie. The character David Hemmings plays is very much based on my own personality. It was a very strong film, very brutal, and of course the censors were upset. It was cut by almost an hour in some countries.
Her characters tend to err when they reject the grubby and complex circumstances of everyday life for abstract and radical notions. They thrive when they work within the rooted spot, the concrete habit, the particular reality of their town and family...
Storytelling is ultimately a creative act of pattern recognition. Through characters, plot and setting, a writer creates places where previously invisible truths become visible. Or the storyteller posits a series of dots that the reader can connect.
When I imagine changing places with her I get the feeling I do on finishing a novel with a brick-wall happy ending---I mean the kind of ending when you never think any more about the characters.
Machines are becoming devastatingly capable of things like killing. Those machines have no place for empathy. There's billions of dollars being spent on that. Character robotics could plant the seed for robots that actually have empathy.
I - and there are hundreds of thousands of Irishmen who felt on this subject as I do - have always liked my Celtic countrymen and disliked the English nation; it is a national trait of character, and I cannot help it.
(Kindness) is much more a sign of character than mere niceness. Kindness connects to who you are, while niceness connects to how you want to be seen." -David Levithan (Every Day)
It's hard to know exactly how people develop the characters they do. There could be people from humble beginnings that turn into jerks. Some characteristics are just part of that special soul of that human being.
You know a lot of what worked on this was taken from Harry Potter 2, the little Doby character, we had a lot of our skin stuff worked out and that helped a lot. We have a lot of exchange happening.
I think I've proven with my career that I can play a wide variety of characters. Yet, I still get typecast as the crazy slob guy. That's how it always works.
People worry about Twitter. Twitter is banal. It's 140-character messages. By definition, you can hardly say anything profound. On the other hand, we communicate. And, sometimes, we communicate about things that are important.
People are fascinated by evil because it's mysterious and it doesn't seem to have a rationale behind it, and the second you say that Hannibal Lector was abducted as a child and he had to eat his sister or something like that, it becomes immediately m...
If you're doing a large, complicated character with radio controls, it might take a number of people several months to make it and if you're talking about a quick little hand puppet, it could be made in 2 days, so there's enormous range there, and no...
I sublimate different parts of my personality through my characters. Which is worrying, as some of them can be a bit nasty. I'm pleased the stuff on the page isn't inside me any more.
I never really read a character before that I connected with more than Peeta. So, for me, if I couldn't get that job I was like, 'Well, if I can't play practically myself in a movie, what can I play?'
I now can be sure that, once I start writing a book, I'll be able to finish it. I've also become more assured about my 'voice' as a writer and being able to keep the characters true to themselves.
The shows I've been working on, especially 'Parenthood' and 'Friday Night Lights,' I think are completely character-driven stories. I think, for most writers, that's a privilege to be telling those kinds of stories. It's erroneous to me.
As a writer, I have this compulsion to take characters who appear formidable and bombard them with adversity until they crumble. What's interesting is watching them rise again, and seeing how they've changed and grown, if indeed they have.
I'm not a method actor per se, but if I'm playing a character that, at its core of its persona, has experiences I don't have, I try to search out and get firsthand experiences of similar sorts so I have something to fantasize about.
You can see how he changed on the surface. But at the core of it all, I think Superman has remained the same - a character with incredible powers but almost superhuman humility and restraint.
If you've seen 'Spirited Away', 'Spirited Away' is set in a very, very Japanese sensibility. And so, to Japanese audiences, when Sen would walk up, the main character, and look at this big building with a flag on it with Japanese writing on it, every...
