After all, we are not French and never can be, and any attempt to be so is to deny our inheritance and to try to impose upon ourselves a character that can be nothing but a veneer upon the surface.
I generally like grey roles. My interpretation of drama is different from the popular perception. Acting, for me, is not about overplaying, it is about concealing. I like flawed characters that people relate to. I would never do a romcom.
From blood banking to the modern subway, from jazz to social justice, the contributions of African Americans have shaped and molded and influenced our national culture and our national character.
When you throw punches at actors, you stop, you pull it, and it looks like you pulled it. When you throw punches at cartoon characters, they are not there, so you can swing through. It looks like you really decked them.
We never really know what's around the corner when we're filming - what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.
Playing Etta James in the movie 'Cadillac Records' really changed me. It was a darker character, and I realized that if anything is too comfortable, I want to run from it. It's no fun being safe.
Action-adventure, that genre, only works for me if you can care about the characters. If the hero's not taking some kind of a journey, then there are no stakes - and no stakes, then you don't care if he lives or dies, wins or loses.
I used to see my friend Harland Williams in a lot of auditions. Then you'd see one of the DeLuise kids because they're kind of heavy and character-y. You'd just see a lot of the same guys over the years.
I was always a very quirky kid. I remember very early like fourth or fifth grade doing pratfalls to make my friends laugh, like falling on the ground on the playground and doing like bits and characters.
I learned early in my writing career that if I try to tailor a song for someone else, I'm usually off base. They're usually looking for something from you with your character.
For me as an actor, you always sort of want to bring yourself to a character in some way. You want to find a way to approach something in a way that's real and interesting, and also so there's some empathy there.
When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?
I'm definitely a character actor. I've tried to limit anything with a uniform because I've done it so much. There's a lot more I can offer. It's just getting people to see something else.
When I owned the theater, I had the Glen Miller Orchestra. I had 20 girls singing and dancing. I had a cast of characters. It was a big group production, as well as ushers, ticket takers.
Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
We may say that the characters in fairytales are ‘good to think with’…[and that] the job of the fairytale is to show that Why? questions cannot be answered except in one way: by telling the stories. The story does not contain the answer, it is ...
In Asia, I didn't feel like I was Chloe. I felt like I was acting like someone in Asia. I was acting like Chloe Wang, a pop star, that was like a character for me, if anything.
Luckily, I went to school at CalArts, and then ended up here at Disney, starting in the Animation Building and working my way up. I started as an animator, and then did character designing and storyboarding, and eventually, directing.
We are starting off with our own different characters and our own laws and everything, looking at Bruce Wayne and how he came to be the person that he was and how he comes to be this man that jumps around in the Bat suit.
It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
Up to that point I never really knew what my character would be expected to do, and prior to accepting the job I had actually turned down the role three times before finally giving in.
