When you're writing a whodunit, the dead body is the most important character. It's the pivot point around which the plot spins.
It's hard to really get that excited about movies. Think about it like this: how many good comedy movies come out a year? Maybe one or two? And then, in those movies, what are the chances that there's a character that I'm the best fit to play? It's r...
I always think that trying to push yourself as an actor in a direction that you've never been before, developing characters which are more difficult to get into the head of, or are more interesting and further away from yourself, is always a challeng...
Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare... As if it was the best way to tell the truth about characters or narration, i...
So as long as I'm a working actor, I can improve. I want to work with people that frighten me and excite me, and characters that I don't believe I'm the best person for the part but I'm still gonna try anyway. Those are my favorite roles.
When I'm playing comedy, I never do 'jokes.' Sometimes I'll deliver a line in a way I think is more likely to get a laugh, but all the best comedy is played straight. What's funny is the way it hits the world around it or the way it hits the other ch...
Sometimes, I have themes that interest me or that touch on larger issues but, really, I'm just trying to figure out the plot, or how the characters work. I'm trying to make the best story I possibly can.
I feel like some of the best talent is on TV right now, with the writing, acting and great directors. I've also been looking for the consistency of work that TV provides for you. And, I always thought it would be really interesting to live with a cha...
I think that the best way to explain that is that my mother gave me all the color and character and flare and liveliness, and my father gave me all the sanity and nature and all the things that helped me be a more rounded human being.
Crime fiction makes money. It may be harder for writers to get published, but crime is doing better than most of what we like to call CanLit. It's elementary, plot-driven, character-rich story-telling at its best.
The best thing about acting is that I get to lose myself in another character and actually get paid for it... It's a great outlet. I'm not really sure who I am - it seems I change every day.
I'd just like to see a role for women where someone who isn't traditionally attractive is not portraying the best friend. You know, the character that only speaks in questions. 'Gee, are you gonna go out with him? Do you think I look fat?'
The character I play in Star Quality says acting is the be-all and end-all of her life. I'm not like that. I do enjoy working and I give every job my best shot but I never feel, What on Earth am I going to do now?
Sometimes, when I have to do something I don't want to do, I pretend I'm a character from a book. It's easier to know what they would do.
My experience with age it instills a degree of patience in some, leaves the virtuous spiritually unchanged, feeds the character defects in others, and brings little wisdom to any of us.
When one has no character, one HAS to apply a method. Here it did wonders incontrovertibly, and I am living on the site of one of the greatest crimes in human history.
Values are the guiding principles through which you make choices and decisions. They are influenced by your beliefs, and will help you uphold a higher standard of personal character.
When you think about 'The Simpsons' or 'King of the Hill' or something like that, the worlds tend to expand each episode, because there's no additional cost incurred to hire an animated character.
There are Michael Scott moments, which are character choices, but there are also Steve's reads. Usually the things that I'm the biggest fan of are these weird reads that he does - just the way he's interacting with other people.
I read the bible every day and the one thing I have noticed is that those characters that are closest to God seem to be the ones who question and wonder and think more than others.
When I wrote about the French Revolution, I didn't choose to write about aristocrats; I chose characters who began their lives in provincial obscurity.
