The thing that really makes me happy is the real work and rehearsing and creating the character and the process of making the movie. Hollywood's not real.
It's a whole other way of working when you work in films: You know exactly the arc of your character.
I create women characters by watching the female staff at my studio. Half the staff are women.
Tennessee Williams is an incredible writer for women because, in many ways, his women characters are him. He writes so passionately.
Our character is what we do when we think no one is looking.
When written in Chinese, the word 'crisis' is composed of two characters. One represents danger and the other represents opportunity.
I happen to know this, and I happen to know that, and maybe I know that;and I work everything out from there. Tomorrow I may forgot that this is true, but remember that something else is true, so I can reconstruct it all again. I am never quite sure ...
What we call our destiny is truly our character and that character can be altered. The knowledge that we are responsible for our actions and attitudes does not need to be discouraging, because it also means that we are free to change this destiny. On...
When I ask French parents what they most want for their children, they say things like "to feel comfortable in their own skin" and "to find their path in the world." They want their kids to develop their own tastes and opinions. In fact, French paren...
You silly Arthur! If you knew anything about...anything, which you don't, you would know that I adore you. Everyone in London knows it except you. It is a public scandal the way I adore you. I have been going about for the last six months telling the...
The difference between shallow happiness and a deep, sustaining joy is sorrow. Happiness lives where sorrow is not. When sorrow arrives, happiness dies. It can't stand pain. Joy, on the other hand, rises from sorrow and therefore can withstand all gr...
Many people are partial to the notion that . . . all writers are somehow mere vessels for Truth and Beauty when they compose. That we are not really in This is a variation on that twee little fable that writers like to pass off on gullible readers, t...
But writing is a queer business. If one does anything that is sharp and keep enough to go over the line, to get itself with the work that is taken seriously, one has to have had either an unusual knowledge of or a peculiar sympathy with the character...
A certain critic -- for such men, I regret to say, do exist -- made the nasty remark about my last novel that it contained 'all the old Wodehouse characters under different names.' He has probably by now been eaten by bears, like the children who mad...
When the maker's (or fixer's) activity is immediately situated within a community of use, it can be enlivened by this kind of direct perception. Then the social character of his work isn't separate from its internal or "engineering" standards; the wo...
To live with integrity, it is important to know what's right and what's wrong, to be educated morally. However, merely KNOWING is not enough. Virtuous character matters more than moral knowledge. The reason is simple: like the self-confessing apostle...
At the end of the day I have many answers for it. It has to do with my mom, who was an extraordinary woman, and a great feminist. It has to do with the people in my life. It has to do with a lot of different things, but -- I don't know! Because I'm n...
You're writing, you're coasting, and you're thinking, 'This is the best thing I've ever written, and it's coming so easily, and these characters are so great.' You put it aside for whatever reason, and you open it up a week later and the characters h...
Empathy is the new measurement of everything. It doesn't matter what religion you have, what God you profess to believe in; it doesn't matter how rich you are or how poor you are, what church you go to or what church you don't go to; the only measure...
Colonel Hugh Pickering: Are you a man of good character where women are concerned? Professor Henry Higgins: Have you ever met a man of good character where women are concerned? Colonel Hugh Pickering: Yes, very frequently. Professor Henry Higgins: We...
I look at the books on my library shelves. They certainly seem dormant. But what if the characters are quietly rearranging themselves? What if Emma Woodhouse doesn’t learn from her mistakes? What if Tom Jones descends into a sodden life of poaching...
