Shelley Levene: [Levene has just cut a deal with Williamson to get 2 of the Glengarry leads for $100] What? What? Williamson: Two leads. A hundred bucks. Shelley Levene: Now? Williamson: Yes, now... when? Shelley Levene: Oh, shit John! Williamson: [t...
Macaulay Connor: [speaking of Tracy] What are her leading characteristics? C. K. Dexter Haven: She has a horror of men who wear their hats in the house. Elizabeth (Liz) Imbrie: Leading characteristics to be filled in later. Macaulay Connor: I can fil...
Recovery does not refer to an absence of pain or struggle. Rather, recovery is marked by the transition from anguish to suffering. In anguish the paralyzed man and I lived without hope. We experienced anguish as futile pain, pain that revolved in cir...
But, you know, it really depends on the character. Age doesn't really matter.
After a while, the character sort of took over.
Character is not made by crisis. It is only exhibited.
My stories are character driven.
People don't usually compliment your character.
You have to find out how to become the character.
They've turned this character into a human being.
I'm just looking for touching characters.
Characters are just extensions of my madness.
I don't agree with the idea that my characters are unlikeable.
As an actor, secrets and obstacles fuel the character.
The more secrets and twists in a character, the better.
There is no index of character as sure as the voice.
In my experience, it's usually up to the actor how a character is portrayed.
Fashion should not be expected to serve in the stead of courage or character.
When you get to play a character that's in love, it's cool.
In westerns, you meet a hardy bunch of characters. There is no jealousy on such pictures.
Character, to me, is the life's blood of fiction.
