I think there's a danger that we're moving towards a state where the people we are expected to admire are almost not human anymore, and I don't like that. I prefer it when someone looks like a nice person, and you think, 'I could have a laugh with th...
I got picked on a lot. I was a complete geek in school. I had braces. I didn't have the hot girlfriend. I wasn't ever sought after. I was a stocky, awkward kid who got laughed off the tennis court when I tried that.
Remember, if you do the same act for 20, 30 years it gets a little boring unless you've got something else going for you... And the orchestra really kept you going. They'd laugh at all your jokes, even if they'd been hearing them for the last 30 year...
he had kidded with us that if we didn't let go at the proper moment, he would slap our hands with a stick, and we had all laughed because who would be silly enough to hang on when they should let go?
there's time for laughing and there's time for crying— for hoping for despair for peace for longing —a time for growing and a time for dying: a night for silence and a day for singing but more than all(as all your more than eyes tell me)there is ...
The ball laughs, radiant, in the air. He brings her down, puts her to sleep, showers her with compliments, dances with her, and seeing such things never before seen his admirers pity their unborn grandchildren who will never see them.
When you saw Jon Lovitz or Dana Carvey or Phil Hartman doing something, they were acting. It was real acting. Like, they were acting like that person. They weren't like - it wasn't even like they were really trying to go for a laugh, especially in Ph...
I became the storyteller of South Side Chicago. I used an old Kiwi liquid shoe polish as a microphone. I'd go around the house interviewing everybody, telling stupid jokes, doing voices. I mimicked Sidney Poitier, Sammy Davis Jr., people on 'Laugh-In...
There are a lot of questions I keep asking myself about why I do comedy. I guess I laugh to keep from crying. And I guess if you ever get me crying, I might not stop. This is the way I look at tragedy or else I'll cry.
I like to make people laugh. That's for sure. And I really like to humiliate myself and go very far in derision and stuff. But no, I like everything. I started a little bit of doing drama, too. I like that, too. I guess I just want to touch everythin...
I graduated from Second City Los Angeles. It helped me tremendously, not only in my roles in films but in helping shape me into a writer as well. In improv, you will fail sometimes, so it teaches you to be brave and try anything. The worst that can h...
It's no accident many accuse me of conducting public affairs with my heart instead of my head. Well, what if I do? Those who don't know how to weep with their whole heart don't know how to laugh either.
Go now, verses, on your light feet, you have not trodden hard on the old earth where the graves laugh when they see their guests, the one corpse stacked on top of the other. Go now and stagger to her whom I do not know.
When I started doing standup when I was 17, I was talking about being Indian and specifically ethnic jokes. Straightforward stuff that was fairly ignorant that I knew would get the laugh. It wasn't flipping stereotypes; it was using them.
I had these experiences as a kid; I remember certain things happening in school that were horrifying that I would see, certain things of violence or certain things of cruelty, but around that, something might happen afterwards to cause everyone to la...
I expect nothing of man, and disown the race. The only folly is expecting what is never attained; man is most contemptible when compared with his own pretensions. It is better to laugh at man from outside the universe, than to weep for him within.
If you can laugh with somebody and relate to somebody, it becomes harder to dehumanize them. I think that most of what we are constantly bombarded with in terms of media leads you to a creation of 'the Other' and a dehumanization of 'the Other,' and ...
With drama, you need to be laughing, in between takes, 'cause you're going to those recesses of your soul and those dangerous parts. Normally, if you're not an actor or some crazy artist, you don't feel the need to run around in those areas. You keep...
Halved. That was every time. My laughter was for idiots, for their unjustifiable idiocy and for myself for an unrelenting conviction to them, for that unforgivable instance I leveled myself to them. At that awkward realization knowing I precisely was...
I remember going to Bob Preston's dressing room because I was losing a laugh - as you do in a long run. He said, 'Give me the script. That's where you're going off the road.' That's comedy. It's never the line itself; it's in the foundation.
I've definitely become smuttier. When I first started out, I had these aspirations: 'I'm not going to do jokes about anything crude because I'm bigger and better than that.' But then, I don't know... It makes me laugh, so I started doing it.