Yes. I was the first female colonel. I enjoyed being that kind of role model for young women watching the show. A woman can be a colonel! A woman can be in charge! Those were new ideas then.
Every once in awhile I like to play dark ladies, crazy ladies, but most often I look for characters that are strong, intelligent, caring - usually earth women, because that's basically how I see myself.
My narrators tend to be women with low self-esteem, so I can send them to charm school.
I just want to keep writing characters who are interesting and complicated people and interesting roles for women, in TV or film or in theater. I think that's like my 'Blues Brothers' mission.
Because it's difficult to have a career as an artist, and in every situation where it's difficult to have a career, it's even harder for women, for all the other reasons that it's harder in other fiercely contested fields.
I know that at literary festivals I'm speaking mostly to middle-class women, who frequently vote in a way that is contrary to how I'd like them to vote.
I want to steer away from the stereotypes that Latina women are categorized in. I feel like there are so many more opportunities for us. I like going out for those roles that says 'open ethnicity.'
The bottom line is that red carpet helps us broaden the appeal of the brand. Calvin Klein used to be about a very specific woman, but we've dressed so many different women at awards.
The industry is quite chauvinistic generally. Expectations of women, girls, what they should look like, how they should be, what they should say, what they should wear, how their hair should be, what colour their skin should be.
I'm not an elected official who puts a finger in the wind to see what the majority thinks; I represent women, whether they're popular or not.
While all of these are important and significant events, it is the United States' foreign policy that furthers the advancement of freedoms and rights for women that is the most striking for me.
One I've been passionately committed to, of course, is women's ministry; I believe solidly in it as a Gospel issue and we've found our way through that.
With the hugely talented women I've worked with or observed, it's not a question about temperament or ego; it's a question about getting it right. If they've got a reputation for being difficult it's usually because they just don't suffer fools.
I'm losing my hair. I'm overweight. It's not like that's at the top of the list when women go looking for a man. It's like - complete collapse, every year.
We're showing kids a world that is very scantily populated with women and female characters. They should see female characters taking up half the planet, which we do.
I dread handshakes. I've got some problems with my hands, and everywhere I go, people want to impress me with their grip. To make it worse, now women are coming up with that firm shake.
Guilt is one side of a nasty triangle; the other two are shame and stigma. This grim coalition combines to inculpate women themselves of the crimes committed against them.
In my sophomore year, a kid told me that the secret to getting women is to play really, really hard to get. I followed his advice, and I didn't have so much as a date that year.
Back when I was looking for my next step and was researching Gannett, I was interested in who was leading the various businesses within the organization: Are there a lot of women and minorities in important, operational roles, senior management and t...
I keep returning to the central question facing over-50 women as we move into our Second Adulthood. What are our goals for this stage in our lives?
Because I have work to care about, it is possible that I may be less difficult to get along with than other women when the double chins start to form.
