You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.
Some actors get fired up by the sound of the audience. I just want to retreat.
I want to plug back into the hip-hop audience. Whether it be fans who grew up watching 'Yo!', or people who have become familiar with the culture via the Internet.
I tend to believe that audiences are relatively well-balanced people.
When you are an artist, you want your audience to think it's effortless and easy.
Political stories in general are tough. They just don't appeal to as wide an audience.
If the beat gets to the audience, and the message touches them, you've got a hit.
The kind of audience I'm speaking to is a very wide range of people.
The important thing is having genuine regard for your audience.
It's always an inner wish of every actor to reach out to maximum audiences.
I just enjoy being onstage and relating to the audience.
The quality of CGI, audiences are now so used to it. They don't know what is CGI and what is real.
I like the idea that my audience doesn't see what I do as controversial.
Now we have an audience that is so very eclectic. Big, tremendous fans.
People come to the theatre to be excited and uplifted - I want to inspire my audience.
What if Shakespeare had had a test audience for Romeo and Juliet or Hamlet?
If you're talking down to the audience, no matter how brutish it is, they know it and they hate you for it.
To me, a multi-cam is just like the feeling you get from the audience.
At the premieres, I always watch the audience. If a child asks to go to the bathroom, I know I've failed.
The only way that your work will truly find an audience is if it is genuine.
Conductors must give unmistakable and suggestive signals to the orchestra - not choreography to the audience.
