For over ten years or so game music has developed into a very large market.
There is a large element of me in every role I do.
Luck is not fate. Believe it or not, it's largely an attitude.
The Old Vic is a beautiful theater to work in. It's quite a large house, but it has a feeling of intimacy.
There's an audience for all kinds of great art.
I like playin' for an audience the best, though, I think.
I used to have trouble in front of an audience. I felt uncomfortable.
The only reality of the theater exists in the mind of the audience.
If you can't move the audience, they don't want you.
Believe it or not, I want to keep growing my audience.
I just feed off the energy of the audience.
It's nice that HBO is in business with the audience and not with the advertisers. There's a difference.
I don't think that writers have any responsibility to be good neighbors to the audience.
I want an audience that will come sitting forward in their seats.
The audiences in the U.K. like me more than in America.
I want my audiences to be as open-minded as my characters.
Onstage I have a natural chutzpa that audiences like. I'm out there.
The audience likes to be taken on new journeys.
Hollywood has lost touch with their audience a long time ago.
I just have a respect for my audience. That seems to be pretty logical.
Yes, the audience is so important to Negro music, especially the element of call and response.
