'On the Road' is another one of those, a film in which the audience has a very clear idea of who they think your character is, so you know you are asking for it. But that's the challenge.
Jazz has an audience all around the globe and has had for many decades, I think speaking of the United States, let's say that what we need is more of an official recognition.
I think the key divide between the interactive media and the narrative media is the difficulty in opening up an empathic pathway between the gamer and the character, as differentiated from the audience and the characters in a movie or a television sh...
I think audiences have hit the wall with CGI and special effects. They have seen so many over-the-top events that they can't suspend disbelief.
I like to maintain my collection as a provocative collection that makes people think. While certainly my stamp will be visible on Black Fleece, it is meant for a wider audience.
I can personally feel the relief myself in my audiences when I bring up Obama because there was a lot of anti-Obama sentiment out there before the capture of bin Laden.
I did Vibe, and I felt old and paternal. I've got ties older than people in that audience. I had a talk with myself. I said, You've got to deal with this better.
You've got to have a sense of different audiences. I'm a kind of performer manque - I come from a long line of failed actors!
I don't sing to people. I sing for them. I told that once to Elvis Presley. He bought it. After that Elvis sang not to but for the audience. A subtle difference.
I worked at NBC and MTV for two years, and it was very interesting to see the comparisons of audiences and the way that I would have to present a story to the two different places.
When you're singing you can hear the echo of people in the audience singing every single word with you, and that was that big dream that I had for myself. It's happening.
When I'm asked who my audience is, I say someone with an open mind, which is not a vacant one and sometimes a liberal mind is not the same thing as an open one.
The only acting I knew when I was a boy came from Lochgelly. With a double bill, people would live their lives in the cinema. You would even see babies being breastfed in the audience.
A director should not define everything. For me, the movie is a form of a question I pose to the others or to the audience. I want to ask their opinion on my point of view and discuss it with them.
I used to go to open mics in New York when I was starting out, and it was mostly just people who wanted an audience to look at them for eight minutes on a stage.
You never really know until you put the movie in front of an audience. I am a big advocate of screenings, which are getting harder and harder to do nowadays.
Harry Collins was the first magician I ever saw back in 1965 when I was five years old. He was doing a magic show and I was the volunteer from the audience.
Take my wife... please. I'm not saying she's ugly, but when she went to see a horror film, the audience thought she was making a personal appearance.
Although you should never mention your premise in the dialogue of your play, the audience must know what the message is. And whatever it is, you must prove it.
Sometimes, the most daunting thing about performing is making eye contact with your audience, so just look above them and at the corners of the room. Soon, you'll totally forget they're there.
It's a real conflict for me when I go to a concert and find out somebody in the audience is a Republican or fundamental Christian. It can cloud my enjoyment. I'd rather not know.
