Freedom of expression is not absolute. Countries have laws that define the framework for exercising this right and which, for instance, condemn racist language.
Mythology and history are my passion. I grew up in a religious family and learnt about our scriptures and philosophies. It's the language I'm comfortable with.
When you're around your family, and you have that history and that shared language, you say things you'd be embarrassed to hear quoted back to you later.
There's a lot of things that go on when you're on tour that cannot be controlled. I'm not even talking about myself, but of course there's sexual activity and drugs, fighting and language; it is certainly not a place to raise a family.
The Cemetery of Forgotten Books is a metaphor, not just for books but for ideas, for language, for knowledge, for beauty, for all the things that make us human, for collecting memory.
I taught high school English for 24 years. I always teach my students to appreciate the beauty of language and to write poetically.
When you're five years old, and you're running a business that people did not think there was room for, getting attention is not a bad thing. Letting it be known by whatever colorful language is necessary is not a bad thing.
Poetry is a special use of language that opens onto the real. The business of the poet is truth telling, which is why in the Celtic tradition no one could be a teacher unless he or she was a poet.
Of all the depressing abuses of language in business, there is none that gets me so incensed as the rampant overuse of the word 'passionate' in company slogans, marketing blurbs, mission statements and on the sides of vans.
I understood that synergistic dance between photographer and object - 'muse,' if you will, 'model,' whatever you call us. It's that silent language of communication, like being psychic with each other.
I change the language with which I use my voice. In opera, I know I have an orchestra behind me; I have to communicate to people very far from me.
The Catholic faith never changes. But the language and mode of manifesting this one faith can change according to peoples, times and places.
I have seen how effective language attached to policies that are mainstream and delivered by people who are passionate and effective can change the course of history.
When I left Barcelona, staying in Spain was an important factor in my decision to join Madrid. I did not have to change country or learn a new language, adopt a different sort of lifestyle, and so on.
Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language.
Our goal is to see Big History become a normal part of high school curricula. I'd love to see it being taught in lots of languages. A global course.
History shows, in my opinion, that no nation can survive the tension, conflict and antagonism of two competing languages and cultures. It is a blessing for an individual to be bilingual; it is a curse for a society to be bilingual.
Countries under foreign command quickly forget their history, their past, their tradition, their national symbols, their way of living, often their own literary language.
It's the story of New York. Storefronts change and languages change, but at the end of the day, people come here to find opportunity like my family did.
The symbolic language of the crucifixion is the death of the old paradigm; resurrection is a leap into a whole new way of thinking.
Talk to people in their own language. If you do it well, they'll say, 'God, he said exactly what I was thinking.' And when they begin to respect you, they'll follow you to the death.
