Katharine Clifton: You speak so many bloody languages, and you never want to talk.
David Whitaker: Aw, geez! Cathy Whitaker: We don't use language like that in this house.
My idea here is that, inasmuch as certain cognitive tasks and principles are tied to nature's laws, these tasks and principles are indifferent to language, culture, gender, or the particular mode of information that is provided.
All of nature begins to whisper its secrets to us through its sounds. Sounds that were previously incomprehensible to our soul now become the meaningful language of nature.
Poetry is the language we speak in the most terrifying or ecstatic passages of our lives. But the very word poetry scares people. They think of their grade school teachers reciting 'Hiawatha' and they groan.
I believe that all poetry is formal in that it exists within limits, limits that are either inherited by tradition or limits that language itself imposes.
Disappointment over nationalistic authoritarian regimes may have contributed to the fact that today religion offers a new and subjectively more convincing language for old political orientations.
Just as the Russians and the Soviets didn't manage to wipe out languages in Lithuania, neither have they managed to wipe out religion to the extent that we had feared.
Every relationship has its own language. It takes a long time to evolve and read one another. Just as it's true for people, it's also true on a national or cultural level.
I could speak Spanish fluently growing up, but I'm so out of practice, and I have such a tremendous respect for songwriting in the Spanish language.
The opening and closing ceremonies of the London Olympics are mass satanic rituals disguised as a celebration of Britain and sport. Their medium is the language of symbolism.
America's strength is not our diversity; our strength is our ability to unite people of different backgrounds around common principles. A common language is necessary to reach that goal.
All poetry is an ordered voice, one which tries to tell you about a vision in the un-visionary language of farm, city, and love.
Part of what we love about poetry is the fact that it seems ancient, that it has an authority of ancient language and ancient form, and that it's timeless, that it reaches back.
I would love to learn other languages, maybe French? My uncle speaks German so maybe also German? Chinese seems to be too difficult.
The music of language became extremely important to me, and obvious to me. By the time I was seven I was writing myself. I was a poet.
Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music.
I think that a song, when it works, never mind a piece of long form music, even a song is something that speaks to itself but has a language all of its own, ideally.
I believe that music is a spiritual language. My everyday self is pretty mundane and boring, but when I'm making music it allows for me to communicate a kind of transcendence that I can't communicate otherwise.
I see music as one language. If one musical form eats its own tail, it dies. So it needs to be a mongrel, it needs to be hybridised.
I don't see it in terms of changing things, but rather using language and music as weapons for fighting a mainstream media which is predominately right wing, and loyal to the political framework and its corporate interests.
