[Sophie removes Calcifer from the hearth] Calcifer: No, No, No! Don't do this! Help! Help! Crazy lady with the shovel! If you kick me out that door, the castle could collapse! Young Sophie: Good!
Eleonore: This year you bring a lady guest? Jamie: Ah, no. There's a change of situation. It's just me. Eleonore: Oh, am I sad or not sad? Jamie: Uh, I think you're not surprised.
Eliza Doolittle: [singing] Lots of chocolate for me to eat! / Lots of coal makin' lots of heat / Warm face, warm hands, warm feet / Oh, wouldn't it be loverly?
Professor Henry Higgins: [singing] Women are irrational, that's all there is to that! Their heads are full of cotton, hay, and rags. They're nothing but exasperating, irritating, vacillating, calculating, agitating, maddening and infuriating hags!
Eliza Doolittle: *Here* are your slippers! *There*... [throws a slipper at Higgins] Eliza Doolittle: And *there*! [throws the other one] Eliza Doolittle: *Take* your slippers, and may you NEVER have a day's luck with them!
The Wolf: You see that, young lady? Respect. Respect for one's elders gives character. Raquel: I have character. The Wolf: Just because you are a character doesn't mean that you have character.
Lady: [during the Springtime for Hitler performance] Will you please, shut up! Franz Liebkind: You shut up! You are the audience! I am the author! I OUTRANK you!
[Patrick holds his report card] Patrick: C minus, ladies and gentlemen! I am below average! Sam: Below average! Patrick: Below average!
Gus Grissom: How ya doin', miss? Lady Bartender: So-so. How you doin'? Gus Grissom: I'm not doin' it any more. The damn thing's draggin' in the mud and I can't get it up.
Lady Van Tassel: The easiest part was the first. To enter your house as your mother's sick-nurse and put her body into the grave and my own into the marriage bed.
Prem Kumar: A few hours ago, you were giving chai for the phone walahs. And now you're richer than they will ever be. What a player! Prem Kumar: Ladies and gentlemen, what a player! [audience applauds]
Scotty: So, the Enterprise has had its maiden voyage, has it? She is one well-endowed lady. I'd like to get my hands on her "ample nacelles," if you pardon the engineering parlance.
[in ladies' room] Gail: I read it in Cosmopolitan. Lizzie: It's an interesting theory. Gail: Actually it's a nightmare. I've been desperate for a shag but watching him suffer was just too much fun!
I never take on anything that is just for the money or just for, you know. I always have to connect with it in a very personal way because I believe the audience will sense whether I'm into it or not, so I don't take on projects that I'm not really p...
Money, for me, is just to create bigger and better things. A lot of guys in the deejaying world flaunt it, but I don't see any use in that. I don't need anything. I live in hotels. Most of my clothes I get for free. I like to invest in ideas. In peop...
I don't want to be in somebody else's movie, and then they make all the money. I've gotten offers to do the movies, but I won't sell myself short and be in somebody else's movie, like 'Boyz N the Hood.' I don't think I woulda done that.
We only had enough money really to cut 10 things and be in there for a month because it's expensive, you know. And, singer/songwriters, today are lucky if they can get a deal, you know. So, we actually worked so fast that we really cut 20 things.
People have always assumed that I am privileged. And that has been a problem sometimes. When I first started modelling, and I was schlepping around London with no money, I found it rather irksome that people thought I had a private income when I didn...
When I started working in fashion, I didn't have money to buy photographs, so I'd Xerox pictures from magazines and put them in notebooks. When I'd start a collection, I'd sit with my old notebooks and look through them for inspiration.
'Cause I can make more money going in and doing my recordings and selling them through my entities that I have, rather than going to a record co. and them release a record and pay me 5 percent of what they make off it.
There's no way in the world I can feel the same blues the way I used to. When I play in Chicago, I'm playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
