The Baroness: Somewhere out there is a lady who I think will never be a nun. Auf Wiedersehen, darling.
The Cabinet Lady: You can't hurt me anymore! [holds up her wrists, which are slit]
Randy 'The Ram' Robinson: Hey lady - you want some fucking cheese? Get your own fucking cheese!
The focus on my appearance has really surprised me. I've always been a size 14 to 16, I don't care about clothes, I'd rather spend my money on cigarettes and booze.
'Get a Job' is about all the rich kids we knew when we were younger, kids who never had jobs but always had money for partying or getting their hair done.
I did not have any money, so when I came to New York, I just dressed myself with whatever I could find and the Army-Navy store.
Long made it possible for me to get on records, so what little money he did take from me, if any at all, he was entitled to it. He didn't take something from me.
Places like New York are just too intense, too much about money, too much about ambition; it's all too superficial for me.
I haven't turned into some rich monster. I've kept my perspective. But I am a bit spoiled. It's hard not to be a little spoiled by having a lot of money.
As a youngster, I lived in Philly for 12 years, and I would go up to New York to do shows and make money - it was the dream to maybe be able to survive there and live there.
And, we have no such thing as a budget anymore. Our manager freaks when we show him the bill. We're lavish to the bone, but all our money goes back into the product.
I believe that anybody who gets married should go to a counselor for months before the wedding. I think that's going to save guys a lot of money and the ladies a lot of heartbreak.
It's not how many tickets can we sell, it's where do we want to play, not where should we play to make the most money. We don't really care about that.
I've been given my money. Nobody has ever beaten me out of one quarter. And that's all I've ever been concerned about.
San Francisco is an interesting place. It's always been such a nice culturally diverse environment, which it still is, but there's a lot of money there now and a lot of dot com's so it's a little different than it used to be.
You know, I didn't have enough money to quit my day job... the myth of the major label deal. Nowadays, you have a tour bus and a stylist and all this stuff. But back then, no way.
Constantly having to think about money is not nice. People used to say, 'Being rich doesn't make you happy'. And I'd think, 'I've got no electricity, nothing - tell that to my empty fridge'.
Well, I guess that early 12 string. The first Martin I bought. I bought it around 1957 with money I earned as a janitor assistant. I bought brand new. I still have that.
It just doesn't mean anything to me, the high-profile, big money side of things. I just want enough to live on, and to be able to get on with what I do, and hang around my friends.
I hate the industry even more now, no bands get nurtured anymore. Labels only spend money promoting acts they know will be Top Ten. I find it offensive spending $2 million on a video.
The hardware manufacturers, game designers, cable companies and computer companies and, in fact, film studios are going to ensure that this thing marches on. They know that they are going to make an enormous amount of money from it.
