I've never really gotten into the whole labels thing. There were times I would cover a pop song, and people would say 'You sound really country.' I gave up on that whole thing a long time ago.
In the early 1970s. 1971, '72. The rooms were closing down, record labels weren't signing acoustic acts any more. Although they had been pretty much been getting out of that for some time before that.
I don't have much time for shopping so I pick things up when I can. My favorite labels are APC, Isabel Marant and Agnes B because the clothes are cut small and have a simplicity to them.
I think some people think I'm, like, anti-label, and I'm not. I just wanted to sign a deal when the time was right. I'm anti being shot out of a rocket when you're not ready and the songs and image aren't there.
Mayors of New York have been elected not because of their party label, but because of their philosophy and their approach overall, and that has been since time immemorial in New York, that people are not party-oriented in New York.
Mayors of New York have been elected not because of their party label, but because of their philosophy and their approach overall, and that has been since time immemoriam in New York, that people are not party-oriented in New York.
I made that first record in 2008, alongside the EP, but my label at the time waited three years to release it. They thought maybe someone bigger would buy it, but they didn't, so in the end they just released it themselves.
It became a question of do I want to be on a label where it could take three years to put out a record instead of putting out three records over the same period of time on my own.
If there was ever any truth to the trickle-down theory, the only evidence of it I've ever seen was in that period of 1960 to 1965. All of sudden they were handing out major label recording contracts like they were coming in Cracker Jack boxes.
People might say I'm difficult, but did you ever hear anyone describe a label as 'difficult'? By nature, artists should challenge. When they call you difficult, it is a reflection of the imbalance of power.
I truly respect the people who are working. If they want an autograph from Patti LaBelle, they are going to get it. I have never separated myself from them. I never think you are better than the next one.
I have mad love for the way we were taught and trained back in the day. I mean, those of us - like Chaka Khan, Patti LaBelle, Gladys Knight - we didn't give into this new wave of celebrity.
I feel that I want what allows me to reach the largest number of people as possible, and I don't feel ashamed of that. I think I'm the kind of artist that's meant to be on a major label because my music is different.
Virtually every society that survived did so by socializing its sons to be disposable. Disposable in war; disposable in work. We need warriors and volunteer firefighters, so we label these men heroes.
The culmination of a long struggle was 2013, which could clearly be labeled the Year of the Gay. State after state had legalized gay marriage, despite intense opposition from the religious right.
We are quick to stick labels on others - especially those who don't fit in with the norm. 'Harold Fry' is about a broken marriage; 'Perfect' is about a broken person. They are both about finding kindness where you least expect it.
I never wanted to do the same kind of movies over and over anyway, so my theory on it all is I'm just gonna try and dodge the label and keep doing what I am doing.
People who label erotica writers as sluts/men-whores remind me of the mob that once condemned smart women as witches. Mankind has not evolved much.
Heath Ledger was supposed to put our album on what would have been a new record label. I still feel a little dead after losing him.
From doing Power Station, it was like, it's the same guys, but it doesn't sound like them. When we were in Duran, the labels and management wanted more Duran stuff so they could sell it.
Some people want to call me an Appalachian writer, even though I know some people use regional labels to belittle.
