I wanted to be a designer since I was a kid, and I was always attracted to the way rock stars dressed and the way their girlfriends dressed. I always thought that they were the most interesting people.
So that is the design process or the creative process. Start with a problem, forget the problem, the problem reveals itself or the solution reveals itself and then you reevaulate it. This is what you are doing all the time.
—Piensa en la araña más grande, terrorífica y letal que puedas imaginar —murmuró él con los ojos puestos en sus labios—. Yo soy esa araña, y tú la mosca atrapada en mis hilos.
Il ne faut jamais blâmer la croyance des autres, c’est ainsi qu’on ne fait de tort à personne. Il y a même des circonstances où l’on doit honorer en autrui la croyance qu’on ne partage pas
Con el asunto que voy a seguir, te guste o no, es con el de buscar mi propio destino. ¿Te das cuenta, viejo? No se trata sólo de pagar las cuentas, de comer y ver la tele...
I adore the challenge of creating truly modern clothes, where a woman's personality and sense of self are revealed. I want people to see the dress, but focus on the woman.
Things that came before, people and things and experiences - that does mean something to me. It doesn't mean I don't embrace the new, but I don't forget the past, either.
I wear Rick Owens T-shirts to bed. They are like my thermals, since I sleep with the room at near freezing temperatures, like a meat locker.
The sexiest people are thinkers. Nobody's interested in somebody who's just vain with a hole in their head, talking about the latest thing - there is no latest thing. It's all rubbish.
It's true the punk fashion itself was iconographic: rips and dirt, safety pins, zips, slogans, and hairstyles. These motifs were so iconic in themselves - motifs of rebellion.
We are so conformist; nobody is thinking. We are all sucking up stuff; we have been trained to be consumers, and we are all consuming far too much.
I was still interested in the youth rebellion but never-the-less I stopped being a victim. Stopped trying to attack the establishment realizing that it takes too much of your energy.
I used to always fight for human rights. I still fight for Leonard Peltier, who's spent 35 years in jail for a crime he didn't commit.
My clothes have always got a very strong dynamic rapport with the body - they are very body conscious, they help you to look glamorous, more hourglass, more woman.
My job is designing shoes. It's work that happens behind the scenes, as they say, and that suits me just fine because in general I am a shy person. But sometimes I have these extroverted outbursts.
Part of my work is dedicated to artisanship and can only be done by very few people because it requires a specific technique. Being an artist is being at the service of yourself; I am at the service of other people.
I like dresses for night; I like after-party more than party. I like the mystery; I like the dream, like fantasy dresses. I think, also, that you make women dream.
Women are most fascinating between the ages of 35 and 40 after they have won a few races and know how to pace themselves. Since few women ever pass 40, maximum fascination can continue indefinitely.
I grew up surrounded by these tough, ballsy, strong women. They were also adoring women, but they were the kind of women who would argue over what kind of pants you were wearing or the color of your nail polish.
I started at the very highest level so the upper end is something I know very well. I know it instinctively. But all the years I was designing, it frustrated me that I could reach so few women.
Just because you're from a city ten miles outside of St. Paul. It doesn't mean you don't read magazines, or the incredible Internet, and what's going on in the world. I never, ever take a client, or women, for granted.
