Deputy: [Looking at Kit, in custody in the police car] You know who that son of a bitch looks like? You know, don't you? Sheriff: No. Deputy: I'll kiss your ass if he don't look like James Dean.
Dr. Pretorius: Do you know who Frankenstein is, and who you are? The Monster: Yes, I know... made me from dead... I *love* dead... hate living. Dr. Pretorius: You are wise in your generation.
S. S. Strickland: Is that liquor I smell Tannen? Young Biff: Ahhh, I wouldn't know. I don't know what liquor smells like, cuz I'm too young to drink it.
Laura: [On the phone with Brendan] Who is this? Brendan Frye: I won't waste your time: you don't know me. Laura: I know everyone, and I have all the time in the world. Brendan Frye: Ah, the folly of youth.
Well, you know, I've bonded with a lot of people over the years, you know. We played the same tournaments year after year and we go back to the same place and many times the seats have been full and that has meant the world to me for sure.
Depression exist without you knowing it, even denying it. It is not an illusion. You don't even know you're in it. It takes awhile before you realize it. If you deny it, it means your still in there or else you won't talk about your misery and the dr...
The amount of things I have been through and the remarkable ways in which the body has reacted is just phenomenal. No wonder I became religious, because you don't know why something's happening to you and you don't know how you bounced back.
I get to tell the most interesting stories I know how to tell with the most interesting sentences I know how to compose - and people who aren't related to me read them. To be paid to write things that matter to me is extraordinary.
The blues are intent and watchful. “You’re trying to get me to change my mind, aren't you?” “Lilah, I constantly hope that you are going to change your mind, but I know you well enough to know that you won’t.” I just nod at him.
We have to abandon the idea that schooling is something restricted to youth. How can it be, in a world where half the things a man knows at 20 are no longer true at 40 - and half the things he knows at 40 hadn't been discovered when he was 20?
We don't really know where human sexual orientations come from yet. What we do know is that the evidence we have that sexual orientation includes an innate component doesn't seem to point to the existence of simple 'gay genes' and 'straight genes.'
When we're upset, our vocal cords tighten and we can't speak. And when I lie - well, I can't lie, because the same thing happens - everyone who knows me knows that when I start squeaking, I've started lying.
There's something advantageous about having people underestimate your intellect, insomuch as a lot of things are revealed to you. They assume you don't know what you're talking about, then all of a sudden, you do. And the next thing you know, you hav...
If you are prepared to make a fool of yourself for them then you usually get that back. I think that there are points where you become so close to an actor, you know them so well, almost as well or better than their spouse. You have to know them, war...
Coaches do so much research about a referee because they believe refereeing is such a crucial part of the game that the result may hinge on what we say or do. They probably know more about me than I know myself!
It's important to be driven and have goals. You want an independent woman who knows what she wants and isn't afraid to go after it. It's attractive to me when a woman is doing what she loves. It makes me want to know more.
They just expected it to you know... Paul, Steve and I could have hired our own publicist, if we wanted to, but I kind of liked the way it was more of a cult thing and those that liked it, liked it, you know what I mean?
Wise people know the fact, smart people know how to act, intelligent people don't react, brilliant people make an impact; but the truly nice people make wisely everyone understand how to act smart or intelligently react for a brilliant impact
Quote from “FUTURE GONE”: “…I set the house on fire. It’s dark outside. The fire tears down the darkness. I turn my back to the place and leave, not knowing where. And suddenly I understand… All dreams are dead now”.
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.
I have been poor and I wanted to document poverty; I had lost a child and I was obsessed with birth; I was interested in politics and I wanted to know how it affected our lives; I am a woman and I wanted to know about women.
