I became comfortable with what I knew would be the process of trying to pick up the pieces of brain that were in the rubble and tried to make some mosaic out of the pieces and that that would be the trajectory.
I always knew I wanted to create. I used to sit in my room for hours drawing and making things. I once got into trouble for cutting up my mother's lampshades to make a dress. I was three.
It was actually Peter's idea that I should make the film. He called me in the very beginning, and I hadn't even read the book. So I read it and I liked it very much and I knew I'd certainly like to do it.
I'd been round the world a hundred times and had started to forget where I'd been. I knew I'd been there: it said it on the tour map. I could remember the name of the city but I couldn't remember what it was like - it was a massive blur.
In that sense, I became politicized because the people in the coal mining villages who were involved in the struggle knew why they were there. But they couldn't understand why some pop star from London would want to be there.
I remember that the first country I visited was Canada, and then France. After that, I knew that I loved traveling and seeing the world. I feel that I'm so blessed and fortunate to get to visit so many places and see the world.
I had a real yearning to make use of the opportunities I had at school. When I heard about the gap year of teaching English at a Tibetan monastery, I knew I had to do something about it really quickly, otherwise it was going to get allocated.
I'm a huge Emile Zola fan, and when Bill Gallagher said he was writing a new character for 'The Paradise' and had me in mind for the role, I knew I wanted to play Tom Weston before I'd even read a word of the script.
As we began working toward the finale of 'Lost,' I knew there was no possible ending that was going to be universally loved, and I accepted that. We ended the story the way we wanted it to end, and we stand by it. On my Twitter feed, I still get ten ...
With what all these people are saying, do you think that anybody wants to be around me? They all think that I did this on purpose? That I knew that I was positive, for so many years? I feel now that I'm going to be attacked if anybody sees me or if I...
The BBC knew I was successful from early on, but they weren't sure why, and they still aren't sure. What I do has been unconventional from the beginning, so they've never been sure. It just works. It just does.
The bare knowledge of God's will is inefficacious, it doth not better the heart. Knowledge alone is like a winter sun, which hath no heat or influence; it doth not warm the affections, or purify the conscience. Judas was a great luminary, he knew God...
This is why we said 'ain't' and 'he don't'. We wanted words to fit our cold linoleum, our oil lamps, our outhouse. We knew better but it was wrong to use a language that named ghosts, nothing you could touch.
Chleo clutched her chest in agony. Drowning in her own sorrow. Her own lonelyness. How was she still alive? Everyone knew it was impossible to live without a heart. And Nick had just taken hers with him.
As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother's house. All children, I suppose, come into the world like that, not knowing who they are.
A lot of people say, 'I always knew Lucky Luciano as a very smooth, very elegant, very powerful man.' All the accounts of him as an older man were that he was very genteel but he still had the look of smothered violence behind his eyes.
Just as producers often give consumers things they want but didn't think to ask for, consumers sometimes come up with surprising uses for new inventions. When a new product appears, it can uncover dissatisfactions and desires no one knew were there.
When I began to write fiction that I knew would be published as science fiction, [and] part of what I brought to it was the critical knowledge that science fiction was always about the period in which it was written.
'House of Balloons' was special because I had no deadlines, and nobody knew me, so there were no expectations. Spent a year making it perfect. Every song had at least, like, 7 different versions to them before picking the right one.
When we first met, I was trying to put a band together. I asked around at school for other guys who wanted to play in a band. Someone told me about a juvenile delinquent they knew who played bongos.
Professionally speaking, the proudest moment was when I booked the 'Human Stain.' I knew it had Nicole Kidman, Anthony Hopkins, Ed Harris and Gary Sinise on board, and the director Robert Benton was an academy award winner for 'Kramer vs Kramer.'
