I like playing a variety of characters. I feel like I've been able to play different kinds of characters - I've done a lot of period pieces - but I've never had to play the same type of character too much.
Traveling has a major impact on what I do, cause all over the world I'm meeting all kinds of people. And relationships is the second major impact that I have. I just enjoy the variety that the world has to offer.
I'm kind of a reluctant Anglophile. My mother's a children's librarian, and all of the children's literature I read was from her childhood - E. Nesbit and Dickens, which isn't children's literature at all, but I was sort of steeped in English literat...
I just didn't want to get bored playing a character, and that's kind of the benefit of doing films; you've lived with a character for four or five months and that's it, and you walk away from that character and you feel like you told a story.
The essential attribute of a new sense is, not the perception of external objects or influences which ordinarily do not act upon the senses, but that external causes should excite in it a new and peculiar kind of sensation different from all the sens...
I'll never be the biggest kind of star; I'll be like Bob Duvall, respected as an actor but a lot of people can't identify the face. I don't have the personality of a big star, or the looks of a Mel Gibson or a Paul Newman, or the style of a George C....
The way I see it is that all the ol' guff about being Irish is a kind of nonsense. I mean, I couldn't be anything else no matter what I tried to be. I couldn't be Chinese or Japanese.
I always wanted to be an actor. It sort of prevented that whole - I never had any of that kind of angsty period old and doing musicals at camp and community theater and plays at school; it was just always what I most enjoyed and always what I intende...
'Backwash' is an old-school, slapstick-y romp between three eccentric loser friends who inadvertently rob a bank, armed solely with a salami and a sweat sock, and then find themselves on the run pursued by singing cops. It's kind of a classic piece, ...
Everything was very specific and very fitted. I can't tell you what we went through for this job in regards to full body scans and the prosthetic process that you go through and all that kind of stuff, but everything was done very specifically to fit...
Actually I did, because I saw the film like everyone else, ten years ago and I remembered some of it. I just wanted to see it, to kind of remember the tone a little bit.
I mean, I don't like sitting at a table with seven or eight people asking me questions and kind of listening to what I'm doing - scrutinizing my thoughts and things like that. I just don't like it. I can't understand how anyone would.
All the airports kind of feel and look the same now. Some are more beautiful, some are less beautiful, but for the most part you're going to find a Starbucks in every airport. You're going to get your coffee and the 'USA Today' or 'New York Times' in...
Rian Johnson's 'Looper' is inventive, entertaining, and thought-provoking in every way a movie can be. It is in fact the kind of movie that reminds us why we watch them and make them, a beautifully told story that deserves to be not only remembered, ...
As long as we, again, kind of keep earning the sequels with material and I'm confident Mike can, I'm in. You know I always want to do those. But I also want to keep going in some of the direction as Meet the Parents has.
I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in...
You have that moment just before you go on - I've had it in every play - where you just kind of want to run away. There's a whole audience, and they are waiting outside, and you're like, 'Why am I doing this again? Why? Why?'
If you're a writer, the insight of other writers - if there's some kind of Holy Grail message on how to deal with writer's block or how to deal with any problem that can come up - whether you're writing about yourself or a group of people, I find tha...
Every Southerner, I think, knows people like Bill Clinton, maybe not quite as smart and maybe not quite as liberal, but kind of a glad-handing, country-club yuppie Southerner. The problem is we don't have labels for middle-class Southerners.
Here's the problem: I don't like who I've become when my iPhone is within reach. I find myself checking e-mails and responding to texts throughout the day with some kind of Pavlovian ferocity - it's not a conscious act, but a reflexive one.
We look for things or people that are incorruptible. There is nothing incorruptible, merely uncorrupted. We neglect the role we play. We value innocence, but only the kind we cannot alter. We throw mud at purity and mock it for its stain.
