I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
I'm from a fancy, well-raised background. We were very well-behaved and not allowed to swear. It's the kind of place where people hide their problems under the rug and pretend it's all perfect. Eventually, you get sick of that.
No matter what I've done, what I've tried to do, everybody says it can't be done. And it's continuous across the complete spectrum of the various kind of realities that you confront with your ideas.
Artists forget than the first purpose of a comic character is to convey emotion. Everything else, like realism, or other kinds of virtuosity, is an optional extra. If you sacrifice expression for the sake of other concerns, you're putting the cart be...
I've done about every kind of fishing you can imagine, but I've never noodled. And the reason I've never noodled is because I don't want to get bit by a water moccasin. I'm just too afraid of snakes.
I think I probably have a creepy kind of scary quality. Otherwise, I wouldn't get jobs. But I also think it has a little bit to do with, you've done it a couple times, and then people see you that way.
To paraphrase Lucretius, there's nothing more useful than to watch a man or woman in times of contagious deadly disease peril combined with his or her assumptions of financial adversity to discern what kind of man or woman they really are.
When you sit down and write a song, you kind of have the idea for the song, and you sit there at the piano and you kinda just write it. And then of course later there's some dinking around with it and changing some stuff.
Anybody who's away from what's normal is just kind of pushed aside as, 'Oh, he's crazy.' But in reality, this world is crazy. It's just chaos everywhere. It's really hard to be part of this world, because it's very possessed. And very egocentric.
My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
In the case of Elektra I really wasn't sure I could pull it off. There were so many intellectual leaps. My character, Stick, is blind, but he can see better than most people. So I had trouble kind of finding the logic.
Everybody that I was in school with had an uncle or father in the law, and I started to realize that I was going to end up writing briefs for about ten years for these fellows who I thought I was smarter than. And I was kind of losing my feeling for ...
Learning to endure times of disappointment, suffering, and sorrow is part of our on-the-job training. These experiences, while often difficult to bear at the time, are precisely the kinds of experiences that stretch our understanding, build our chara...
Montrose decided then and there that a full library, one made of old-fashioned paper books with bindings, the kind that cannot be electronically re-edited by anonymous lines of hidden code, was just as much a necessity for a free man as a shooting ir...
Do not settle; open up yourself by surrendering to creating your own kind of success ALL THE WAY! Whether you have superior or less-than-average skills, you will cultivate your success story through determination and consistency.
Some people have therapy, some people are alcoholics or they're in AA. Some people jump out of planes on weekends or find ways to release this kind of thing. And for me, it's acting. I find acting very therapeutic for whatever it is.
It was quite risky to open the book with one of my quieter stories; I'm kind of trying, I think, to lure readers into a false sense of security and then assault them with a couple really loud, really strange stories.
'Nip/Tuck' did make me very comfortable in my own skin, no pun intended. I had to be stripped down a lot, and you're kind of in front of the whole world, and it teaches you to accept yourself and be comfortable with yourself real quickly.
I think fantasy is best described as a kind of fiction that evokes wonder, mystery or magic, a sense of possibility beyond the ordinary world in which we live, and yet which reflects and comments upon that known world.
I was making stickers for guys' bands. I was in the front row photographing bands, booking bands, doing all of the kind of backstage stuff, and I didn't even think for a second I could do it, and then I saw Babes in Toyland, and all that changed.
I've always done theater. I've never thought of myself as a comedic actress in any way. 'Anchorman' kind of cracked that open. When I got a small part in 'Anchorman,' I didn't know it was possible on camera to improvise. So I was like, 'What's happen...
