To be honest, I think we should find first the possibility to make it. Research is first - if you're not interested, you never can find something. Many things happen from forgotten machines - ones that are no longer used.
I'm not trying to reinvent the wheel. I believe that clothes should make a woman feel beautiful. But sometimes it's the little things like cut and fit and sex appeal that make a large impact.
I have my own office, and I'm there during the evenings and weekends. But during the week, I'm sitting in the middle of my studio, talking with everybody, deciding together every detail, every pallette, every yarn, every colour.
I always talk about a great-fitting pair of jeans. Girls are concerned about the way their butt looks in a pair of jeans, and I think a guy having a really great-fitting pair of jeans is just as important.
I obviously don't feel under pressure to look young, because I have had no Botox or surgery. I don't judge people who choose to have it, but I don't want to erase who I am.
I was 26 when I invented the wrap dress. It was just a nothing little printed dress made out an jersey, and before I know it, I lived an American Dream making more than 25,000 dresses a week.
I don't think we should always look at the Chinese like they're taking jobs. They are also bring us more and more jobs. Because, they are the biggest growing consumer. I think what is going on in China is exciting.
The most important thing is to be healthy, to drink a lot of water, to fight gravity as much as possible. I am one of the few people who decided I wasn't going to do any invasion with my face.
Unlike Kim Cardassian or Donald Trump, Montaigne regarded the inward glance as an adventure in self-effacement not self infatuation. He was a charming and perceptive critic of his own foibles, especially alert to his weakness for inconsistency.
When I get very stressed, I make jam. I like things that produce a quick result, because fashion has such a long lead time. With jam, you start, and two-three hours later, you have 36 little pots, all full.
I can be working on a collection and a film at the same time. It can take a lot out of me, but the processes come from the same source. From a brief I set myself I can make a film, I can make a collection, I can make an installation.
I said, 'Okay, it's the year 2000, I'm getting a computer and a Palm Pilot.' I know how to check my e-mail, and I've listed some phone numbers on it. Half the time the battery has gone out so I can't use it.
Everything I do is just really my intuition, and every time I go against my intuition, it's a mistake. Even though I may sit down and analyze and intellectualize something on paper, if I go against my gut feeling, it's wrong.
[Kim and Zoe are convincing Abernathy to convince Jasper to take his 1970 Dodge Challenger for a test drive] Zoe: What are you going to do? Blow him? Abernathy: [repulsed] No! Abernathy: [pause] I'm going to insinuate that Lee is.
Stephen Stills: I have distressing news. Kim Pine: Is the news that we suck, because I really don't think I can take it.
People have always assumed that I am privileged. And that has been a problem sometimes. When I first started modelling, and I was schlepping around London with no money, I found it rather irksome that people thought I had a private income when I didn...
When I started working in fashion, I didn't have money to buy photographs, so I'd Xerox pictures from magazines and put them in notebooks. When I'd start a collection, I'd sit with my old notebooks and look through them for inspiration.
If you put down a list of jobs, doctor, lawyer, janitor, teacher or movie star, everybody would pick the movie star. And why? So you could lie around the pool, drink margaritas and send money to your parents. So that's what I did.
We should never denigrate any other culture but rather help people to understand the relationship between their own culture and the dominant culture. When you understand another culture or language, it does not mean that you have to lose your own cul...
I took a couple of classes in clowning, but that was more like Lucille Ball kind of slapstick, not Ringling Brothers. But we had to do things silently, and the teacher would do this running commentary. 'Does this make Clown sad? Oh, Clown doesn't lik...
There are times I am happy. There are times I am sad. But I always try to separate emotion from the need to reach for something stronger, deeper. And then no matter the emotion, I can reach for a stability that helps me accomplish what is the goal.
