Actually, acting turned out to be the perfect job for me, because I had a lot of different interests. I thought about being a priest at one point. I thought about being a teacher. I thought about being a lawyer. But I think acting is probably the bes...
I'm trying my best with what I want to do, which is modelling. I think I'm on my own career path, and I don't really care what other people have to say about me being in the spotlight of my sisters. I'm just doing my own thing.
Heroes represent the best of ourselves, respecting that we are human beings. A hero can be anyone from Gandhi to your classroom teacher, anyone who can show courage when faced with a problem. A hero is someone who is willing to help others in his or ...
I make 98% of my collection in New York City and am generating jobs, so fashion isn't just frivolous for me. I understand levity about it. I also understand the depth of it.
I am not the kind of designer who is racing to the finish line, so while collaborations are important for our growth, each and every one has to be strategic and well-timed with what we have going on internally.
I am a helicopter pilot. Something that gives me pleasure sometimes is taking my helicopter to go high, 2000 meter, 6000 feet, to go there and feel like a bird. In this moment I feel free.
I'm not suggesting that microbial cellulose is going to be a replacement for cotton, leather or other textile materials. But I do think it could be quite a smart and sustainable addition to our increasingly precious natural resources.
As a designer, I think you just have to make sure you know what you want and stay true to it. You need to have conviction and really just want to make people think in regards to doing interesting things.
I've always dressed the same. I've never made a fashion mistake. I've always worn utilitarian. I started my collection because I wanted certain specific things, but before that it was vintage and classic Brooks Brothers.
Seersucker and khaki suits are the key to looking put-together in the summer. I also wear shorts year-round. And I would never say never, but I don't wear sandals. With shorts, it's wing tips and tennis socks.
The reality is that I spent years in the factories in Italy when I first set up Jimmy Choo. Today, everyone who has a job at Jimmy Choo, I've done their job - right down to the cleaner.
There have been moments in my career when I've had to be tough and I've had to step up to the plate - but usually that's because a man has underestimated me. But other than that, I wouldn't say I'm a tough person.
Kevin was sitting on the railing waiting patiently and looking up at the sky with his mouth agape in a totally comical way. Kayn walked up beside him and teased, “Trying to catch flies?” (The Children of Ankh series) Kim Cormack
We didn't know anything about comedy duos - Abbot and Costello, Martin and Lewis - we didn't know anything about that. Kim Fields showed us a tape of Martin and Lewis and their old shows and they come through the curtain so we started doing research ...
When I entered the market, I was rejected because the elite say that you have to sell things at a certain price point. My position was that the consumer is smarter than that. Who cares if it's $200, not $2,000?
It was never my desire to revolutionize fashion, to make clothes that could be in a museum. I want to create clothes that have a certain style, but I want to see them used. I want to see people enjoy the things I've made.
But in another, I think a woman's going to go into a shop to find a coat or a jacket and I just don't think she's not going to go into a shop because of a bad review she probably didn't even read.
I don't think there is just one Louis Vuitton woman. That is why, for the fall/winter 2011 show, I loved the idea of lots of different characters - a wife, a mistress, a girlfriend - stepping out of the row of hotel elevators.
The red carpet doesn't interest me. I think people become all the same; it's like everyone posing from the three-quarter angle in some low-cut, fitted dress; it's all the same.
In my own creations, the earliest influence came from the ancient civilisations of Egypt, China, Africa and Persia. In fact, one of my earlier creations was a range of tunics, made from silk procured from the islands of Madagascar.
My inspiration is endless; I can't define it. It is a constant flow and evolution. In general, I'm taking it from everywhere. People get nervous when they walk with me, as I'll see something and suddenly have to text it to myself.
