Science fiction has a way of letting you talk about where we are in the world and letting you be a bit of a pop philosopher without being didactic.
There's nothing I believe in more strongly than getting young people interested in science and engineering, for a better tomorrow, for all humankind.
We talk about the Internet. That comes from science. Weather forecasting. That comes from science. The main idea in all of biology is evolution. To not teach it to our young people is wrong.
I don't think that science is complete at all. We don't understand everything, and one can see, within science itself, there are many inconsistencies. We just have to accept that we don't understand.
I'm an amateur science enthusiast. I'm not even a professional enthusiast. I don't know anything; I never even passed biology in high school. But I read the science section of the newspaper.
The first science fiction show on television was 'Tales Of Tomorrow' using scripts from the radio show 'X-1' which used stories from 'Galaxy Magazine' as its source material.
I decry the current tendency to seek patents on algorithms. There are better ways to earn a living than to prevent other people from making use of one's contributions to computer science.
You do a drama, and you are limited by the rules of reality, and in science fiction, you create your own reality. Some people find that daunting; I find it challenging.
As a kid I wanted to write science fiction, and I was never without a book. Later I really got into being a scientist and never thought I'd be writing novels.
But basically what I like are the possibilities, and the fantasy element of the show. Not science fantasy so much, but fantasy, the humanistic elements and how people relate when they're in a dire situation or comedic situation.
Also by my earliest days, I was fascinated by a utopian vision of what the world could be like. I've thought that science could be the basis for a better world, and that's what I've been trying to do all these years.
It's kind of a misnomer about science fiction that science fiction is about anything other than people. It's about people doing stuff, sometimes doing extraordinary stuff.
Pop science goes flying off in all kinds of fashionable directions, and it often drags a lot of SF writers with it. I've been led astray like that myself at times.
When high school students ask to spend their afternoons and weekends in my laboratory, I am amazed: I didn't develop that kind of enthusiasm for science until I was 28 years old.
In 'Cosmicomics,' I came close to science fiction - I was inspired by cosmological subjects and the workings of the universe and invented a character who was a sort of witness to everything that was happening inside the solar system.
I have heard Science Fiction and Fantasy referred to as the fiction of ideas, and I like that definition, but it's the mainstream public that chooses my books for the most part.
The highest compliment I can give a science fiction book is that it's 'plausibly surreal' - it manages to feel like a relentless extrapolation from today even as it overwhelms with unexpected consequences of that extrapolation.
When you're doing a film called 'Interstellar,' at some point - the idea was to be grounded in the science as much as possible - but with a name like 'Interstellar,' you had better go somewhere big and bold.
I didn't need to write historical epics, no, or science fiction, though I read a lot of science fiction as a kid and rather liked it. But I didn't have the mentality.
The Yankees, the first mechanicians in the world, are engineers - just as the Italians are musicians and the Germans metaphysicians - by right of birth. Nothing is more natural, therefore, than to perceive them applying their audacious ingenuity to t...
Well, logos is science or reason, something that helps us to function practically and effectively in the world, and it must therefore be closely in tune and reflect accurately the realities of the world around us.
