For a long time I have been thinking about affordable fashion - you can be disappointed when not so many people can wear your stuff.
I'm happy to do interviews from time to time, but I don't find them that necessary - and that hasn't seemed to have affected people's understanding of our work.
Berlin is in a state of transition. There are lots of people who don't stay here. They pass through. They might not 'clean up,' but they mature. It is a city where people spend a significant time in their lives, and then they move on.
I have Vie Luxe candles in every room. In 2006 I spent the month of August in Sardinia, and the scent reminds me of the wonderful time we had.
Kate McCallister: Where are the passports and tickets? Peter McCallister: I put them in the microwave to dry em' off.
Daniel: We need Kate, and we need Leo. And we need them now. Come on. [they go in and watch [link=tt0120338]]
I'm not a scientist. What I find interesting about my work is how, as a designer, I sit between science and the consumer and can see both a need and a solution.
I feel sympathy for the working class lad. I've always championed about ticket prices and try to equate that to people's salaries.
I love draping; it's less about proportion than fit and the fabric. It's very specialized and I think when women see the construction, they respond to it immediately.
Try everything on, even gowns that you don't think you'll love. You might be surprised and fall in love with a gown that you weren't drawn to at first.
In designing my bridal collections, I love mixing luxe fabrics, which give the most beautiful texture and dimension to my creations.
Too often, bridal shows are boring - I love including a small, unexpected element to make it interesting, like the removable skirts and umbrellas in seasons past.
I love women's fashion, but women don't need me as much as men do. It's the men who have nothing to wear.
When I go to a restaurant and they say, 'We're fully booked,' I say, 'It's Roberto Cavalli,' and they say, 'I will check'. I love it!
I think I was the first to show that a designer could be like a rock star, that people should love your fashion but also put your name together with your fashion.
I'm really rubbish at putting anything on my skin, because I don't like the feel of it. But I do love Kate Moss' Rimmel lipsticks - I keep them in all my coat pockets.
I love that you can have the language between the two worlds of technology and fashion, because I don't think that many designers get to do that.
I do love the provocative side of my collection, but I also like the classics - the simpler skirts and the sweater sets and the shirtdresses. And I always love to see girls in jackets and trousers.
Fashion is silly. Perhaps I should say fashion in general is silly. But then everything is, in general. If you talk about music in general, it's silly; about magazines, in general, they're silly.
Harry: It was the Titanic of play openings but with no survivors. No women, no children, not even Kate Winslet, all dead.
I loved being in London. Always walking everywhere, always out and about and always at markets, walking around Brick Lane and Covent Garden and Soho.
