I know, a lot of the films I've done, it's obvious I'm going to beat up six guys and just walk out the door. There's not a lot of motivating factors - it's just action for the sake of action.
If you're a surfer, you just want to surf. You don't know if anyone's going to see you, and you don't really care if they see you. You just live for that feeling.
'Idol' was more of a competition, and that was more of a platform that I wanted to get a hold of and get on top of. And I finally got that opportunity, and now it's more like, I just gotta show and prove myself to everybody that I'm not just the 'bal...
There's a certain level of realness in Philly. You know, just - people are people. You know, it doesn't matter who you are or who you think you are, you're just a person in Philly.
I believe that all blogs should have at least one set of rhyming words. Just because. Does. Fuzz. Was.
Just know the night won’t last forever, and the daybreak is just around the corner. The rain only lasts so long, until it has to stop again. There won’t always be sorrow. Tomorrow is another day for daylight.
My poems were just kind of all over the place. They had no focus, no location, nothing. Kind of a series of images that could have been set anywhere. A lot of the poems were just exercises for myself.
I didn't really take a lot of any on-camera classes or anything like that. I really just threw all of my energy into auditioning, and I know that I basically just did things based on feedback that I would get.
When I was 18 at the Santa Ana River Jetty is where I put my first board in the water that I ever got from Joe Quigg. I was just riding the whitewater in, and I was just in heaven.
It's just hard. I wish the studios felt there was more value in these themes and these pieces of material - that they're worth protecting more. Because then it just wouldn't happen. If the studios cared, the stuff would be stopped in a second.
I stopped working a few years ago because I just lost a spark that I'd had before. I thought I'd just try writing, and maybe start directing, but I did it very quietly.
There is just so much stuff in the world that, to me, is devoid of any real substance, value, and content that I just try to make sure that I am working on things that matter.
If I found the right guy, I think I would get married. Maybe. I just feel like it's just a contract. Why sign any more contracts, really?
I personally feel I still have so much to learn as a writer; each novel is better than the one before, just because I'm getting better at it.
You just never know when somebody's gonna die. It could happen at any moment so you've got to really treat everybody that way. Just really let everybody know how you feel about them.
I guess I just prefer to see the dark side of things. The glass is always half-empty. And cracked. And I just cut my lip on it. And chipped a tooth.
We just moved out of L.A. because I didn't want to be raising my girls in the city. They're in public school now and they're in a normal situation. We're sort of settling into that. It's just a choice.
Like, I'm a big fan of films from the '70s, like Cassavetes and things, where they just keep the dialogue really loose and just kind of roll, you know what I mean?
Then we tried to come up with ideas for the sketches, and then, when we actually shot the movie, we really just sat down - never previewed the movie - we just really winged it.
I was just absolutely exhausted. The media said I've been treated for a nervous breakdown. All that stuff I just took as people taking the opportunity when you're down to give you a kick.
I know just enough Japanese to get by if I get lost and greet an audience properly, just from having a lot of Japanese friends and being there over the years.
