But the question is a matter of the survival and the teaching. That's what our work comes down to. No matter where we key into it, it's the same work, just different pieces of ourselves doing it.
Then, with lots of people doing that without ever looking over their shoulders to see how they were affecting anybody else, it couldn't work, and it didn't work, and it just came to a standstill.
The more work I do and the more I put myself out there publicity-wise, it's gonna be less and less chances of me being able to just walk around without being noticed.
It's not about how much movement you do, how much interaction there is, it just reeks of credibility if it's real. If it's contrived, it seems to work for a while for the people who can't filter out the real and unreal.
All my buddies over the years, like Kevin Costner and the guys - I see 'em go here, I see 'em go there - but I just do my work.
I've never denied my sexual orientation. I just don't make a point of it. It isn't what I do. Clearly, I'm known for the work I've done on trade and Social Security.
When you first start, you just want to get a job. It goes from that to really deciding what kind of work you want to do and what kind of actor you want to be - and it only gets harder.
I'm definitely in a place where I'm looking for different than what I've done in the past, just so I can go to work and do something I haven't done before.
I think that most people who hire me to do a remix just want it to work in a nightclub, whereas when I'm writing my own album, I don't have to worry so much about 2 A.M.
I'm still waiting to hit it big. But there was the moment when I didn't have to work at the restaurant anymore, which is the milestone for every actor. When your job is just to be an actor and not to have to do anything else.
A lot of my work has to do with not allowing my characters to have an ego in a way that the stomach doesn't have an ego when it's wanting to throw up. It just does it.
When I left Maine, I always wanted to be a working actor. I never cared too much about being the star. I just wanted to do the work and get on with it.
I've never had a grand plan. I've only just tried to keep open to many different possibilities, have fun and work with people who are passionate about what they do.
I'm a big perfectionist! I'm trying to channel super-confident women like Alicia Keys, Mariah Carey and Beyonce, because I realized that if you want something, you really have to go for it, just like they do.
We still have to create things for African American women. Just like Tyler Perry is doing it, we can't wait for things to happen; you have to go and make and create roles and go to people.
It's not just the war itself. It's what you do after the war and what structure you put in place and how you make that structure work.
Looking back, I'm almost happy I lost that fight. Just imagine if I would have come back to Germany with a victory. I had nothing to do with the Nazis, but they would have given me a medal. After the war I might have been considered a war criminal.
And in the Second World War, you didn't just read about it in the newspapers because you weren't allowed to read it in the newspapers. It was all censored, you know? So nobody knew what we were doing.
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