I think we are in an age where cash pays for time and space. The more cash you have, the bigger space you can buy and the smaller the technology to put in it.
I think it is more of an intuitive, circular kind of personality, for starters. And, as I say of horses, the secret to breeding great horses is the three B's: bones, brains, and balance. If you look at art, it shares some of the same qualities.
Art collectors are pretty insignificant in the scheme of things. What matters and survives is the art. I buy art that I like. I buy it to show it off in exhibitions. Then, if I feel like it, I sell it and buy more art.
I don't know very many people in the art world, only socialise with the few I like, and have little time to gnaw my nails with anxiety about any criticism I hear about.
I'm going to start these art museums that are basically converted homes, and I have one for modern art, and I have one for 19th century European art, and one for French impressionism. I've got Japanese.
You can't look at the intrinsic value of gold as you can a business. Gold doesn't give you cash flow, and, at the end of the day, cash flow is what is important. Gold doesn't give you dividends.
In 2009 we increased the cash in Quinn Direct as we had in 2008. We increased the cash in it in 2010. The outstanding claims were €20m in March 2010 but Quinn Direct had more business in the U.K. than in Ireland.
It's funny about men and women. Men pay in cash to get them and pay in cash to get rid of them. Women pay emotionally coming and going. Neither has it easy.
A grown man should always carry cash, right? I don't know who told me, but someone told me that a long time ago, and the biggest turnoff is when a guy doesn't have cash on him.
We can't control whether we are rewarded for our endeavours, with cash or recognition. It is not up to us how much cash or time we get on Earth, but it is down to us how we spend it.
Certainly, it's very easy to fall in love with cash. If you're going to make all your decisions based on cash, you're going to have a pretty naffy career.
Money is truthful. If a man speaks of his honor, make him pay cash.
He paused, twisting his goatee, considering the law in Deuteronomy that forbade clothes with mixed fibers. A problematic bit of Scripture. A matter that required thought. "Only the devil wants man to have a wide range of lightweight and comfortable s...
I want a guy who's going to be accepting of - one, my big 'ol, loud Mexican family - and also my career, because it's a lot. I don't want someone who's like... 'Oh, you don't have time for me'. Like, I want somebody who's sure of himself and gonna be...
I don't listen to the radio, cause I don't have a driver's license. But if I'm in L.A. or somewhere where we have to rent a car, I'll hear my songs. Sometimes I hear them when I'm in stores, and I'm still like a little kid in a candy shop: 'Oh my God...
June Carter: [after an argument] You are not allowed to speak to me. After that stunt you pulled on the bus, the only place you are allowed to speak to me is on stage. Do you understand? Johnny Cash: What'd I do? June Carter: Gee, I don't know. Why d...
Vivian Cash: [talking to Johnny, and pointing to a bag] That bag over there are letters 10 to 1 from girls. 10 to 1, and they're obscene. Reba's been trying to answer some of them but half of them aint even 15, and they're sending pictures of themsel...
Doug MacRay: [knocks on the cash room door] In the cash room. Arnold Washton! You live at 311 Hazer Street in Quincy, with a wife named Linda and three small dogs. Do not make a distress call. Also in the cash room, Morton Previt. You live at 27 Coun...
Truth came to market but could not be sold; however, we buy lies with ready cash.
I may not be much good at most things, but if I didn't have the pleasure of planning and installing shows, and doing it better than anyone else, I would have stopped buying art many years ago.
Few people in contemporary art demonstrate much curiosity. The majority spend their days blathering on, rather than trying to work out why one artist is more interesting than another, or why one picture works and another doesn't.