As a surfer, I am interested in the ocean. And I am concerned and interested in all of these natural and cultural rumblings underfoot as well.
I've had a ton of fast-food jobs - it changes your approach to human interaction forever.
There is no shame like poor shame. It can make you warm and charming, bitter and resentful, all at once.
I shave my body in all kinds of ways, wear tons of eyeliner and dye my hair pink.
If you have a therapist who agrees with your every word, then your brain isn't getting proper exercise.
If you think you've hit a false note, sing loud. When in doubt, sing loud.
I want to tell stories about Europe - I feel profoundly European, I don't feel like an American.
Most of my films seem to be about people bewildered by the world around them, who don't fit into it and are trying to understand it.
I have an unending desire to be better and make myself a better person, better mother.
David is purely a conceptual artist. He didn't play any instruments or paint or anything. We were painters.
West Side Story was terribly important because of the style of the dancing and the gangs of New York.
I listen to a mixture of old jazz, contemporary, pop, some world beat stuff and various odds and ends.
It's easy to get four days a week of training in and I don't spend more than 55-60 minutes in the gym.
Sometimes the song title comes with the songs, other times you just sorta make something up afterwards.
It seems we will continue to have problems with this classification and it may be because it comes under the heading of creation rather than preservation.
This solution may not appeal to our human pride, but the problem is that our human pride in itself is sinful.
I'm in this band to give volume to various struggles throughout the world. To me, the tension in this band is a minimal sacrifice.
Any guy that's not working with the same amount of intensity and passion that I do, I don't want to know.
I take care to only teach courses about fiction film. I believe that this balances and broadens my documentary work.
I believe that a large part of the training in the regional theaters is in imitation of the British style of acting. The British orientation is textual; they start from the language and work toward the character.
Everybody out there watches the show and has expectations of wanting to be an 'Idol', but we're going to teach them how much hard work goes into it.
