The past is filled with people who aren't traditionally thought of as fantastic singers singing these songs that capture people; songs like 'Louie Louie.' I just aim toward that, and I think I've gotten better at it.
My grandfather was Orthodox, and he was religious, but neither of my parents were. Of course, as they got older, it seems like they get more religious the older they get, even though they're still not practicing Jews.
My goal has always been to make classic records, classic albums. Sometimes the recording process and the era it was recorded in means the production leans in a particular way, but to me they are all part of the same process.
I go for as much feeling as I can rather than show what I can do up and down the neck. I don't play to show people ability.
My ears won't fool me. Even when I do a session on digital, we still warm it up somewhere in the process, in mastering or mixing, running the signal through some tubes somewhere.
I think it's evident that expensive neighborhoods in Seattle are surrounded by natural beauty. That elevates city life. So if we can make cities more attractive in the long run, we can be smarter about issues like development, zoning and economics.
I do think sometimes there's danger in guest appearance mania. I've seen too many examples that sound cool on paper, like 'Oh, get that guy to sing the hook on that guy's song,' and then that's all it is. It's a cool idea that sounds good on paper.
And I remember as a second or third grader having some autonomy to go to the store if I felt like it, walk home, take my time, kick the can. We were on our own schedule after school, so that was cool.
But we will play 6, 7 new songs each evening, approximately a third in the concert. I think it's a good balance. It will be very interesting to see the public's reaction. But i think when we'll play the very first new piece, we will be scared.
I'm not a really good classical guitarist by any means, but what I learned from this is a way of working very slowly on solo pieces and I enjoyed working on these pieces of John's. They were not written for solo guitar but a lot of them were easy to ...
It's really comforting for me and Jeff, at least, that after 12 years we finally feel we've reached a place where we can be more honest, real and loving with each other. And we're finally in a band that we know is good, and deserves the credit it's g...
What I love about 'The Walking Dead' is it's a human story, which is to me what makes the comic book so good, but once you jump from the pages of the book to the screen, the gore and the zombies have to look great.
I love a lot of the New York bands, but Patti Smith stands out. I just read 'Just Kids' and it's an inspirational, well-written account of an emerging New York artist in the late seventies.
I've been to two stadium gigs in my life. One was James Brown and the other was Pink Floyd. They both sounded the same. I couldn't tell the difference between James Brown and Pink Floyd. I've never liked stadiums.
We need balance. We need to balance our inner life with our outer life. Nature is always sitting there waiting to help us, but we have to do the work. Nature is probably the greatest teacher that we'll ever have... the earth and nature.
All through the kind of late '80s and '90s, every A&R record company man was saying, 'Now what we want is another record like 'Back in the High Life.' And, of course, that's not the way to make music at all. That's the tail wagging the dog.
There is always some universal proportion, but along with that there are some places where special things happen. Ireland, for example. I've always felt it's interesting to play there. Maybe they just drink more than anybody else.
White people get nervous and speed things up. You don't have to be in a hurry because you ain't got nothing to gain and you ain't got nothin' to lose. And that's where the groove lies.
My favorite part on 'Energy Fields,' at the end of the track is a little girl laughing, and to me, it's a child watching the world, her friends, and so-called grownup people, and the way they try to understand the world.
'Chamalkay' is an old Guyanese slang word. It means a 'young mischievous girl.' It's not derogatory, but it isn't over complimentary, either. It was probably a word I just Googled one day, and the song kind of played into the feel of that.
And they kind of left to find a guitar player at the very end, so you know, I don't really take it as any slight that I wasn't able to play on the record. It's flattering just to play with them period.
