I'm not trying to be evasive, but when I say yes and no, I say 'yes' because there are narrow-minded people that won't look past the logo and 'no' because 'American Idol' put me in front of millions of people and I would not have a career without 'Id...
I have a lot of feminist idols. My favorite thing about growing up in Arkansas - well, not favorite but something I've always felt grateful for - was that I really had to dig for what I could. There was no Internet. There wasn't tons of feminist lite...
High school wasn't so bad though because, by then, I had worked out that there were far more nerdy kids and poor kids than there were rich, popular kids, so, at the very least, we had them outnumbered.
Because I didn't have any queer, lesbian, female role models I hated my own femininity and had to look deep within myself to create an identity that worked for me. Pop culture just doesn't hand us enough variety to choose from.
You know, rock stardom... I have a hard time discussing that because I don't really accept it. It's not really that tangible. What's really bizarre is how it's used as a thing - you know, 'He's the rock star of politics,' 'He's the rock star of quart...
I've always had problems with my brain, so a lot of the songs are about issues I have with paranoia or freak-outs. 'When My Head Explodes' is about being on stage, having people look at you and expecting you to perform, then literally your head explo...
The more people told me that, you know, wow, you should be so blessed. Don't you feel blessed? And you have all this - mansion and all these beautiful things. And I said, you know - the more they told me that, the more depressed I got.
There's this bubblegum pop thing which is prevalent now that we haven't had before. People's ears are slightly de-tuned; they've been exposed to this weird synthetic, implausibly upbeat, Mickey Mouse stuff which I think is just weird; it's not really...
Internet radio stations like KCRW do take you everywhere, yet that's just one of a hundred small things you have to do to succeed. It used to be, if you just got on the cover of 'Rolling Stone' and a spotlight on 'The Tonight Show,' that was enough.
The ukulele was the first of many instruments they had bought for me. They got me a guitar when I was eleven, which my son Morgan uses until this day. They paid for 3 years of guitar lessons; they bought me a bass fiddle, which I still play.
I've never been in a band where someone goes, 'Ah, I've got the perfect name! And it's because I climbed Mount Fuji, and at the top a golden dove came down...' It's always a bunch of guys sitting around going, 'How about Rotten Chipmunks?'
Yeah, about sixteen to twenty weeks a year. For example, we can do America in six or seven weeks. You can do Europe in three weeks; England in two weeks. South America you could do in three weeks; Asia you could do in three weeks.
I wrote and finished the script for 'Man in the Middle' two weeks after the September 11 bombing. It's a very American film about an ex-diplomat based in the Middle East, a leader in the U.S. administration who now sells used cars in the Middle East.
If I sit down with an electric guitar, what's going to come out are Sabbath/Zeppelin type riffs, but if I'm sitting behind a piano late at night, I might write something like 'Desperado.' You're not going to write 'Desperado' between a wall of Marsha...
I think every writer has got to direct. If you don't direct, you can't protect your work. The only way to ensure that it's going to be as close as possible to what you put down on paper - and what you see and hear in your head - is to do it yourself.
I feel empathy for people who are trapped in a prison of self-consciousness in an uncomfortable way. We can be free, but we're so held back. So perhaps that's why I feel a duty to make my work. I feel liberated when I'm doing it, and I want other peo...
My work has always been controversial within certain segments of the Asian-American community. This is a community that is generally not represented well at all on the stage, in the media, etc. So on those few occasions when something comes along, ev...
I think that, at the end of the day, I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the 'New York Times' crossword puzzle does: Sometimes you just want to put it down or throw it out th...
The big cop-out would be to accept popularity rather than opting to try to create potent work. It's so easy to do the popular thing, the expected thing, and that's where you start to cheat yourself - and your fans, in the end - because there's an inh...
I'm pretty selective. I generally edit the contact sheets and then do work prints. Because I have my own lab and printers, I can afford the luxury of going through the contact sheets for black-and-white, making up work prints, seeing them big, and ho...
I'm always gonna be compared to the greatest cats that's in the game, but I lack a little bit less when I'm not as visible as other guys. So I live with that thought right there - yo, you still gotta work, still got more to do. One thing where I come...
