I instinctively dress a bit tougher because I've spent a lot of time in the U.S. and I realised there was a certain image projected of me here. I've always been an absolute rebel. When I was in my teen years I had piercings and wore all black.
When I was in the 12th grade, I got my girlfriend pregnant. I just got out of school, she was a 10th-grader. I'm a teen parent, and I'm at a point where I'm like, 'Man I've got to do something.'
Doesn't matter whether it's a teen girl who's pregnant, hasn't told her parents, or an elderly couple dealing with one of them being diagnosed with Alzheimer's. Those are real people to me. Those are the people I dealt with every single day.
Being a musician since I was a teen, Guitar Center is the staple. You need anything to create, it's there. You need a Guitar Center. You gotta give it homage. It's a tool shed, and without the tool shed, it's hard to create.
I could have been on a path that led to different, more traditional teen romance, and 'Nip/Tuck' shook me loose from any generalization I might have been forced into. It helped me understand I wanted to take on things that were edgier, more challengi...
I guess as long as people think of me for different ages, I'll trust their opinion. I remember noticing one year that Michelle Monaghan played 34 and 19, so I've kind of clung to that as my justification that I can be Jake Gyllenhaal's wife and a fre...
You never know really what anyone thinks about you - that's why all my closest friends are ones I've had since my schooling days when I was 5. And I surround myself with people who I trust and who know me.
I would say trust your own judgment and develop your own style that is true in your heart and don't be deterred from that. Just develop that something that's unique to you that you feel you can give. Be true to yourself, trust your own judgment; that...
I got this idea about being afraid to let go of something and being afraid of sinking into a state of almost anesthesia, where you have to trust other people. Just the paranoia of it all. And it seemed to suit the frenetic track. So I just wrote it o...
I just think that I'll never have plastic surgery if I'm not in front of the camera. If you make your living selling this thing, which is the way you look, then maybe you do it. But trust me, the minute I'm directing or producing and not starring, I ...
What's important in the filmmaking process has stayed the same. Keep it small, keep it personal, keep it authentic, work with people you like and trust. That process is much longer than the filmmaking process. The development process is a long one, s...
Making a film is so scary, and there's such a kind of void that you're working from initially. I mean, you can have all the ideas and be as prepared as possible, but you're also still bringing people together and saying, 'Trust me,' even when you don...
When you're trying to paint a portrait of a very specific world, you're trying to show what makes the world different. So, sometimes it means exaggerating certain kind of aspects, but I don't think it's that important or it's that much of an issue as...
I've always felt that even though a man was not a Christian, he still has to know the truth some way or another. Or if he was a Christian, he could know the truth. The truth itself doesn't have any name on it to me. And each man has to find this for ...
[Pickett is going to drink from a pool, turning his back on Wilson in the process] Cole Wilson: Don't do that. Johnny 'The Kid' Pickett: Why not? Cole Wilson: It's bad for your health...
Johnny Fontaine: It's your favorite song, Michael, where you going? Michael Corleone: I'm just gonna go into the kitchen and listen to some Tony Bennett records.
Johnny Caspar: You got references? You been to college? We ONLY take yeggs what's been to college, ain't that right, Dane? Ha-ha-ha-ha-ha-ha! I'm joking, of course.
Johnny Caspar: I'm talkin' about friendship. I'm talkin' about character. I'm talkin' about - hell. Leo, I ain't embarrassed to use the word - I'm talkin' about ethics.
Tom Reagan: Then it's not just the money he's after. He's got a wart on his fanny. Johnny Caspar: Huh? Tom Reagan: He's got a wart. On his fanny. Giving him the fidgets.
Johnny Hooker: Can you get a mob together? Henry Gondorff: After what happened to Luther, I don't think I can get more than two, three hundred guys.
Henry Gondorff: Glad to meet you, kid. You're a real horse's ass. Johnny Hooker: Luther said I could learn something from you. I already know how to drink.
