Johnny Cash: [Performing at Folsom Prison] Now, I'd like to remind you all that we're recording live, so you can't say "hell" or "shit" or anything like that!
June Carter: So y'all sit down, squat down or lie down but make yourselves at home 'cause here's the one and only, Mr. Johnny Cash!
[Terry returns to Johnny Friendly's bar after setting up Joey Doyle] Charlie: So, how'd it go? Terry: He up on the roof. Charlie: The "pigeon"? Terry: Uh, yeah, it worked.
[last lines] Johnny: Where you guys going? Wait a minute! I'll remember this! I'll remember every one of you! I'll be back! Don't you forget that! I'll be back!
We went into that knowing that we were never going to sell a major record 'cause we didn't sound like these bands, so I just thought this was an opportunity for us to make the kind of records that we wanted and make some money at the same time.
Well, the crazy thing for me is I think out of anything that's happened in the last year, all the success, people always ask what do you guys do with the money? I don't think they realize we're not really making any money.
When I started in the clubs, I had to work places where didn't nobody else want to work. I had to do clubs where street gangs were, had to do motorcycle gangs, gay balls and things of that nature.
'Lost' is driving toward an ending, and that ending is: Are these people getting off this island? What is the nature of this island? What is going to happen to them? What is their ultimate fate? What is their ultimate destiny? Those questions need to...
My favorite parts about 'The Battle of Five Armies' were the moments where you could clearly see that we were looking at New Zealand. That it wasn't done in post, it wasn't CGI, it was the beautiful, incredible creation of Mother Nature in all of her...
I'm acting for the same reasons I wanted to become a diplomat. I've thought about it a lot and concluded that I wanted to become a diplomat because it was a way to explore human nature. For the same reason that at one point in college, I wanted to be...
My unrealized ambition is to tend my vines, produce wine, and work like an artisan. I dream of rediscovering the old traditions and customs of wine growing, not necessarily to deny the technology which we have today, but to harness it and work in har...
There were two sides to David Lean: on the one side, he was kind of a rather stiff, disciplined Englishman. And then he had this kind of romantic side to him. I think being true to both sides of your nature is important.
I like playing characters who are fractured, broken. I find that more relatable, for some reason. I don't feel that I'm like that myself by nature, but there's just something that you can really grab hold of if people have a darkness in them, I think...
I think it's my nature to - every time I hear about an award or a nomination, it makes me realize how much I must've been losing before, because I was not aware that every major city had these critics' awards.
There are a lot of parallels between the historical Henry VIII and Jonathan Rhys Meyers. There's an oscillation and extremity of emotion throughout his repertoire that lends itself beautifully to the nature of Henry VIII, definitely. He will push thi...
We don't think of them as acting, but we take on certain characteristics based on where we function, and those relationships draw out aspects of who we are as people. And that's what acting is. Different parts draw out different parts of your nature.
I've always wanted to fight for people who didn't have arms. I've always wanted to speak up for people who don't have a voice. I've always wanted to protect people who couldn't protect themselves. It's my nature. It's my instinct.
The truth of the matter is, every film is imperfect. It's the nature of the beast. One of the things that people ask me all the time is, what's the difference between theater and film, and one of the biggest differences is, in the theater you always ...
I think ultimately, bringing more nature back into the city is a way to deal with urban sprawl and things like that. If the cities feel a little more natural, people like to live there more rather than moving out and dividing up another piece of land...
When I am out and about I feel watched. It's become second nature. The only time I get to be private is in my work. That is when I liberate the ego. The blessed-out sensation of liberating the ego.
Here is my wish and my desire and my pledge as well: that we remember our true nature and our womanhood. That we own and know that we are more than our bodies and yet our bodies are these sacred, beautiful, rhythmic houses for us.
