That's the trouble with the suburbs: it's not a city, so you're not anonymous, and it's not a small town, so that people really care about you, but everybody kind of knows each other's business, so you're very judged.
I'm no relation to Lillian or Dorothy Gish. Not even way back. But when I first became interested in acting, I wrote a letter to Lillian Gish. She wrote back, discouraging me from entering the business.
Foxes was a movie that didn't do a lot of business but it didn't do too badly critically and eventually they offered me other things. The interesting thing was that next I tried a film called Star Man, which Michael Douglas was producing.
I'm in a stage where I feel like I need to retrain my mind, because since the beginning of my career, I've been such a fighter and a little hustler and someone who just tried to stay afloat in this business.
I really believe God has put me in the entertainment business, and he's taken real good care of me along the way. I want to do all I can to give him all the credit.
I know some of those 'Glee' people, and they can really sing! I wish we could hear them live, because I know some of them and they can really sing like nobody's business.
I grew up in the business since I was three years old so I've always kind of been in front of the camera and grew up in commercials and I knew that I wanted to do it no matter what, I just loved it.
My dad was the baby. When he was born they were already successful. They sent him to business school - he probably would have loved to have been a poet or a writer or something, and he was very creative.
I'm not in the movie business anymore, and hardly any 70 year olds are. I always ask the producers: 'Are there no 70-year old vampires?' Apparently there are not - or even zombies for that matter. I guess they all get eaten.
I prayed to God for help and I put myself in a recovery house called Studio 12. It was for people in the business and you didn't have to have any money to go, which was good because I was broke.
The neighbors could be as mad as they want, but I'm not running a business at the house. It's just a location. It will never get me out of here, because I don't have offices set up at my house, and that's what the township thinks.
I don't really have a bad premiere experience. They're exciting at first. I think, when you first get into the business, you're excited about going down the line and seeing what that's like.
My father got a phone call to bring me in to meet with Spielberg for 'E.T.,' partially because they knew I was a physical kid, and I was known in the business somewhat as a stunt kid, and I could do all the bicycle riding.
It is setting goals and trying to be a business person, but at the same time not losing sight of who you are writing songs for and what your goals are as a songwriter. So believe me, if you think I've got it down I don't it is a constant struggle.
Due to a big bust in Cuba, my father's business suffered badly, so I was free to choose my own career. I became a professional dancer, and I went on the road and started making real money.
You know, I think the film business is its own worst enemy because it sells movies on DVD footage and 'behind the scenes,' and now it's a real struggle trying to keep storylines and plotlines a secret.
It is nasty. You can think that you know someone in this business and you really don't. You can be stabbed in the back very easily. You can be praised very easily. It doesn't matter who you are or what you do.
I'm not in the business to make people aware of me, and publicists are very expensive - they're $3,500 a month! I don't want to spend that kind of money so I can get a stupid article in 'Interview' magazine.
What's so touching is the way we fight the war right until the moment our business is taken care of and then we turn on a dime and we immediately start taking care of people. It's like a shock and aw shucks campaign.
Once you start trying to sell creativity, you're always going to run into the problem that the people selling it aren't as creative as the people making it, and the people making it don't know how to talk business with the people trying to sell it.
I have always been focused on my job. No profession allows you the luxury of being half-focused. If you're not into it, you're not there. And the film industry is all the more harsh in these cases, perhaps because it's a business of the limelight.
