Being a famous singer or an international singer - that's my dream, too, but my main goal is to be a real student and be able to graduate and be a lawyer and have my own business.
Show business is like a bumpy bus ride. Sometimes you find yourself temporarily juggled out of your seat and holding onto a strap. But the main idea is to hang in there and not be shoved out the door.
You can never get to a place of comfort in this business. As soon as you hit that little cushy spot, somebody's gonna kick you out. So I have a constant need to do it better.
My father was never around. It was almost as if he didn't exist. I would tell my friends he was in Cleveland, on business. Sometimes, every six months or so, he would come by for dinner.
We started getting the script to different people and we were in the business of trying to fund it so we could get it off and running, and all the characters and sets designed and everything.
I resisted the film business as long as I could, because of the big circus act and the amount of money that it costs to make films - I saw my father suffer through that.
People say we are survivors but I don't see us as survivors of anything. We are still here, there's nothing that's come and tried to dislodge us. We just go about our business.
I kept bugging them about making it more upscale, because I felt Abby, through her cleverness and business sense, was a character who would move up. And that's what she did.
The blessing that this film business has given me is that when I walk into a school I automatically have everyone's attention. They want to hear what the guy from 'Con Air' and 'Desperado' has to say.
I never dreamt of being a musician for my livelihood. I certainly never would have wanted to be in the business that I'm in, meaning the fame and the glory, the glitter, the rock star, the famous part.
There were times when there were parts that I was sure I got and then I didn't, and I did get upset. But at this point, it doesn't affect me in the least because I know how the business works.
I'm sure it's not great fun for them, or for any parent, when their child says they want to be an actor, 'cos it's quite an uncertain business and it can be terribly hard for most actors.
I was embarrassed that I even wanted to become an actress because coming from L.A., with two older sisters in the business and a mom who had been a ballet dancer, it was such a cliche.
It's a clique and I think a clique exists in every business. There's a circle of people that are guaranteed to open a movie and we all know their names and whether they're right or wrong for the role.
Usually when you're working is when people want you to work. They don't want you as much when you're not working. That's the frustrating nature of our business.
I'm sure people in the business have said: She's too old for that part. I don't hear about it because your agent protects you from those negative things.
I'm very leery of show business, having been in Los Angeles for the last 10 years. Buzz is a dangerous thing that I've heard applied to a lot of people that I've since not heard of again.
If you're an artist, it's great to have a knowledge of the business and be educated about that, but you've got to keep the balance right between business and artistry; otherwise, you get cynical.
I think it magnified it. For me, I wasn't sheltered so I think it was magnified. Especially when you're a teenager and you go to high school and you're in the business and you are known.
But especially if you have the wrong people within your circle. Truthfully, at the end of the day, no one cares about you in this business whether they are your agent or your manager or your publicist.
If an Internet company steals content, they shut it down. And let me tell you, Apple France, Yahoo France or Google France, none of them have gone out of business.