I never met Johnny Rotten, and I didn't want to meet Johnny Rotten.
Unfortunately, I've never been mistaken as Johnny Depp.
We didn't sell a lot of records, but somehow we left an impression.
I think that things happen for a reason.
A wah-wah is important as well. I love it; it makes the guitar scream.
And remember: without you, all we are is loud. No pressure.
I open events for museums and I do charity work and photography.
I really want to work with Tim Burton and Johnny Depp.
Johnny: [at the cemetery] Do you remember one time when we were small, we were out here? It was from right over there, I jumped out at you from behind the tree, and Grandpa got all excited, and he shook his fist at me and said, "Boy, you'll be damned...
The chemistry involved made everything Factory did quite special.
Those record companies don't know what's happening at all.
I don't use the twang bar anymore. It's become too popular.
I feel like I own the stage.
I don't even like walking up a ladder; I'm petrified of heights.
Get as rude as possible and don't let anyone tell you how to live.
I am constantly amazed at their support over the years.
It's always push and pull with a record company.
I think the fundamental part of my technique is my vibrato.
I don't like to generalize but I've had nothing but bad experiences with Mexican food in Europe.
Having a visual element to your band is a good thing.
I'm not good enough, technically, to be a classic musician. I lack discipline.
