Father Bobby: It was the Sistine Chapel he painted. John Reilly: Sixteenth Chapel? Father Bobby: Sistine Chapel. John Reilly: Who painted the other fifteen?
I did not go to any creative writing workshop; I did not major in literature. If I can write, anyone can write. All it needs is imagination.
The rocket had worked perfectly, and all I had to do was survive the reentry forces. You do it all, in a flight like that, in a rather short period of time, just 16 minutes as a matter of fact.
America was magnificently characterized in November of 2008 when we elected, for the first time, an African-American President of the United States.
It took me a long time to get selected as an astronaut. In fact, I applied for 20 years before I was selected.
I was tortured fifteen times, that's total submission. They did that with shutting off your blood circulation with ropes, giving you claustrophobia and pain at the same time, bending you double.
I began writing 'Matterhorn' in 1975 and for more than 30 years I kept working on my novel in my spare time, unable to get an agent or publisher to even read the manuscript.
Vietnam was the first time that Americans of different races had to depend on each other. In the Second World War, they were segregated; it was in Vietnam that American integration happened in the military - and it wasn't easy.
I was close to John simply because I liked him as a person. He liked me as a person. We spent a lot of times at one another's houses back in Liverpool. We spent a lot of time together in Germany.
At the same time, it is obvious that clinicians in Haiti are faced with different, and, in fact, greater, challenges when attempting to treat complications of HIV disease.
Every time the liberals pass a bill - I don't care what it involves - they stick criminal sanctions on it. They don't feel there is any way people are going to keep a law unless they can put them in jail.
I think what made John Lennon so exciting as an artist is that, like Dylan and other musicians with a truly important musical legacy, he had several faces, personas that changed over time as he developed.
Although Patterson Beams was not my first plug-in, I knew from the beginning that I would write it, because the single biggest time consuming factor for me was editing each beam manually.
I would like to play an average guy. I would have loved to play opposite John Candy in a movie. That was my dream for a long time, and sadly, now I can never realize that. But I'd like to do comedy.
When you're told to go brief a United States senator on a covert operation, you go do it. And you trust the information isn't going to leak.
Kevin Lomax: What are you? John Milton: Oh, I have so many names... Kevin Lomax: Satan. John Milton: Call me Dad.
Hans Gruber: This time John Wayne does not walk off into the sunset with Grace Kelly. John McClane: That was Gary Cooper, asshole.
John McClane: [John is fighting Karl] You should have heard your brother squeal when I broke his fucking neck.
John Preston: Then I have no choice but to remand you to the Palace of Justice for processing. Mary: Processing. You mean execution, don't you? John Preston: Processing.
Gordon Camrose: You gotta stop living in the past, John. John Smith: Hey, I am the past.
Edith: [Upset by one of John's claims] Were you? John Oldman: [Gentle] If I said no, could you ever be sure?
