What I think is interesting is that the more you do, you have to invent a book of rules of what you can do and what you can't do. And the very real danger is that if your book of rules becomes a book of cliches.
I really don't feel the need to be in the Rock and Roll Hall of Fame because, at the end of the day, it's just somebody's Rock and Roll Hall of Fame. They have a particular process, and they're welcome to do it however they want to do it.
I just play to the people I can see. So it's almost like you are playing to the first few rows of the crowd. You can see the faces of the first hundred people, but then it becomes a blur as the crowds disappear over the hill.
I grew up in Europe, and soccer was the first organized game I played. When we moved back to the U.S. in the middle of 4th grade, I switched to American football and stopped playing competitively until college, when I played intramurals.
If someone says something unpleasant, I can't say it doesn't smart a bit. It always does. Someone can take a really nasty swipe if they want because it kind of feels powerful for a person to write in a paper and get that thing out there.
You wouldn't find a Joni Mitchell on 'X Factor;' that's not the place. 'X Factor' is a specific thing for people that want to go through that process - it's a factory, you know, and it's owned and stitched-up by puppet masters.
I just had this notion that I wanted to do the most extreme thing I could and I also very consciously wanted to do something that was very different from Mars because we were all very close.
If you think about it, I was at college, and then three months later, I was a massive pop star. It's stress-making, especially when you're a bit of an oddball as I was, the black sheep left to your own devices, and then suddenly everyone's interested...
I'm a bit multifaceted in the sense that I've got many more than one musical taste. If you think about it, I started out playing in a punk band and ended up doing electro-pop. That was more an accident than a plan.
Of all the soul divas, Gladys Knight was the one for me. Knight's always been about tone and heart, none of the big showboating or extraneous doodling. She nailed a melody and only played a little around the edges like Ma Staple.
My style of singing has always been referred to 'soul' singing when it fact it's more influenced by English R&B Blues Shouting. I'm closer to Led Zeppelin as a vocalist than to Ella Fitzgerald. It was torture dealing with major labels.
Once my doctor began treating my kidney disease, my greatest challenge was the constant exhaustion. Fortunately, my doctor explained that anemia was causing my exhaustion and that people with serious illnesses, like kidney disease, may be at increase...
Tough times don't last, but tough people do. And I've been through some tough times, and I know a lot of people can recall tough times, and maybe are going through some tough times right now, but they don't last.
I did actually have a deal with Columbia, but it became increasingly clear to me after signing with them that they didn't know what to do with me and I didn't know what to do for them, so we agreed to go our separate ways.
When I'm 18, I can finally order that paid programming stuff on TV. Like it always says, 'Must be 18 or older to call,' so I'll be able to call! I can finally buy some blenders from the TV.
I would go on the iTunes chart and see the hottest songs, then I'd cover them. People would go on YouTube and search for those songs. That's how I got my views. I'd post two or three songs a week.
I am still working on developing my voice. I am, I know, better as a coloratura singer than I was. It's a matter of strong breath control and yet making it sound as though it is the easiest thing in the world.
I know what I want, and I know what needs to be done to make my performance better. So I do these little askings, about the lights and costumes. It's not the diva speaking. It's the artist who knows how it has to be done.
With trials, you become wiser. You learn more about yourself and the people surrounding you. Me personally, I've never been the type of person to judge anyone over wrongdoing, no matter what it is. I'm just not a judgmental person.
At MGM, you knew you were going to be working next year; you knew you were going to get paid. But I was too ambitious musically to settle for it. And I wanted to gamble with whatever talent I might have had.
I write pretty much when I can. I used to be very particular about needing certain conditions for writing, but when I had children, I discovered that I was a lot more flexible than I thought.
