The whole world appears to me like a huge vacuum, a vast empty space, whence nothing desirable, or at least satisfactory, can possibly be derived; and I long daily to die more and more to it; even though I obtain not that comfort from spiritual thing...
At one of my old schools, I didn't tell anyone I was doing my first album because I was worried they'd be like, 'Who does she think she is?' So I just let them find out for themselves.
My ultimate dream is for the Irvine Ranch to be known and celebrated as much for the outstanding communities we've planned and built as it is for what is not developed. The beneficiary being the 50,000 acres of undeveloped land that is now permanentl...
At the end of the day, the Irvine Co. is slowly being transformed. Our long-term goal is to transform what was once an agricultural company to a development company, and to that, the next, final step is to create a large real estate investment compan...
The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.
When I started to play, all the coaches said it didn't make sense for me to try to play tennis because I was too small. They said I would never make it. But this was something that motivated me. I really wanted to make it.
Certainly, I've loved musicals for a while, so I did some short films in college that had musical numbers and things like that, so I've kind of been obsessed with Fred and Ginger and Vincente Minnelli and Stanley Donen and Jaques Demy forever.
I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him.
I was in this public high school in Princeton, and it had this topnotch jazz program - if you were a musician of any kind of caliber, your holy grail was to be in that orchestra. It was that claim to fame of the school, of the town, other than the un...
I live like in the days of Daniel Boone, hauling water by hand. I used to have two Rolls-Royces. Now I got one. It's got four flat tires; the trunk is open, and a rat lives inside it.
When I played with Johnny Cash and Waylon Jennings in Vegas, the guys used to go, 'Dick, cut it out, man! You're moving around too much on this stage. You're making us look bad!'
When I arrived in France, I cried every day. Not because I was in France - I could have been anywhere - but because I was so far, far away from my parents. I missed them so much.
My old man was a musician - that's what he did for a living. And like most fathers, occasionally he'd let me visit where he worked. So I started going to his recording studio, and I really dug it.
Which is why, in my lieder concerts, I always strove, when possible, to sing only the works of a single composer, so that the audience could be gradually drawn into a particular creative genius' way of thinking, and could follow him.
When you go out onto the stage, all the preparation has to be forced into your subconscious. For the moment of the performance, we all have to return to a new level of unconsciousness. All the reflection and all the doubts have to be laid aside befor...
Hey, I'm just looking for an excuse to retire so I can play summer league baseball, go coach my nephews, play pickup basketball. I've always had that ability to move on to the next thing.
I moved to L.A. and watched a lot of local television news, and I started to see the burn logos up on the upper right hand corner - On-Scene Video, RMG Media Group, and all these other ones. I just became intrigued with it.
We rely on editors of blogs or websites and television stations to supply us these images, and the filter is becoming very thin and very porous. The ratings race for TV and websites is incredibly fierce, and one of the ways of getting people to watch...
Growing up in a band is weird - you get stuck hanging on to what it is you think you are. But what I took into Depeche was that punk ethic, that you don't have to be accomplished to be a musician. If you've got ideas, you can do this.
I don't even think whether I play the blues or not, I just play whatever feels right at the moment. I also will use any gadget or device that I find that helps me achieve the sort of sound on the guitar that I want to get.
I can make everything I do come from my laptop. Even when I go to a big studio, all I do is to plug in my laptops. That's they way I do it.
