The job of singing is to stay open to the river of soul in all its manifestations, the dark and the light, without letting your ego get in the way. I never want to be bigger than the song. I just want you to receive it.
I've been in the league 12 years. To sit on the bench and complain about the way things were, that doesn't get anything done. I don't know. I'm playing for a championship and trying to make the playoffs. My effort has never changed.
If someone were to ask me before I made the NBA, you going to have to go through all this, you're going to have to sign your soul away to play in the league, I still would have done it.
I think that my career speaks for itself and shows the type of player I am. I have never had a teammate who didn't enjoy playing with me. There are always going to be skeptics, but chemistry will definitely not be an issue.
I've learned to try to sustain myself by holding on to the integrity of who I am. I'm not talking big diva. I'm quiet. I'm shy. And I became stronger when I stopped trying to be the person they wanted me to be.
The whole period has taught me that I enjoy being part of an ensemble rather than just a front man. Don't get me wrong - I enjoy that too, but I get more enjoyment out of really listening to everyone.
I never listen to Led Zeppelin. But, I mean, I don't think Robert Plant or Jimmy Page listen to Led Zeppelin, either. We all probably obsessed over the same old blues records growing up.
Well, when The Black Keys make a record, I never really feel limited. To me, it seems the possibilities are always endless. The big difference has been playing live and being able to recreate every little part of the record.
I don't think songs have to be like these super-#1-smash-hit-sounding songs, because I think it's more important that it's like, 'Hey! This is coming out of me. This is something I connect with. This is something that I like to sing.'
It's like a whole orchestra, the piano for me. And also it's to me the greatest instrument. I shouldn't say that, but I believe that this is the only instrument I can really feel happy about playing.
I have more energy at the end than I do at the beginning. You can be so beat up that you can scarcely walk on stage but when you get to the piano the excitement kicks in, you forget about being tired.
The whole world appears to me like a huge vacuum, a vast empty space, whence nothing desirable, or at least satisfactory, can possibly be derived; and I long daily to die more and more to it; even though I obtain not that comfort from spiritual thing...
At one of my old schools, I didn't tell anyone I was doing my first album because I was worried they'd be like, 'Who does she think she is?' So I just let them find out for themselves.
My ultimate dream is for the Irvine Ranch to be known and celebrated as much for the outstanding communities we've planned and built as it is for what is not developed. The beneficiary being the 50,000 acres of undeveloped land that is now permanentl...
At the end of the day, the Irvine Co. is slowly being transformed. Our long-term goal is to transform what was once an agricultural company to a development company, and to that, the next, final step is to create a large real estate investment compan...
The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.
When I started to play, all the coaches said it didn't make sense for me to try to play tennis because I was too small. They said I would never make it. But this was something that motivated me. I really wanted to make it.
Certainly, I've loved musicals for a while, so I did some short films in college that had musical numbers and things like that, so I've kind of been obsessed with Fred and Ginger and Vincente Minnelli and Stanley Donen and Jaques Demy forever.
I didn't have traditional stage fright. If there was 500 people in the audience or three people in the audience, it didn't really make a difference. What made a difference was the conductor. Everything that I was scared about as a drummer was him.
I was in this public high school in Princeton, and it had this topnotch jazz program - if you were a musician of any kind of caliber, your holy grail was to be in that orchestra. It was that claim to fame of the school, of the town, other than the un...
I live like in the days of Daniel Boone, hauling water by hand. I used to have two Rolls-Royces. Now I got one. It's got four flat tires; the trunk is open, and a rat lives inside it.
