When I was out of work when I first moved to L.A., one of the first things my husband and I did was buy season's passes to Disney, and whenever I was bummed out about work, we would go to Space Mountain, and it was like a physical injection of anti-d...
I had Cooper in December and was back on the red carpet in January. I picked him up and took him to work with me, you know, took him to my dressing room. So he's been raised the same way I was, which is that work is such a big part of our lives.
When I am in Madrid, I just like to see my friends and walk around the city. I go to the school where my mum works and help out. My plan B, if acting doesn't work out, is to work with disabled children.
One of the things that I'm realizing is that in voice-over work, you have to actually do more work with your facial muscles and your mouth. You have to kind of exaggerate your pronunciation a little bit more, whereas with live action, you can get awa...
There's something about the schedule of working in TV that's attractive. You know exactly what the next six months is going to be like: You'll work Monday through Friday and have the weekends off, and then there's going to be a hiatus here, so you ca...
There are a lot of actors who don't like reality stars 'cause they feel these people aren't accomplished. They haven't done this or that, but they are savvy. They have found a way to make it work. I could dissect your career all day long, but I'm foc...
I still audition a lot and work really hard to get work. So I don't really walk around feeling like I've made it. My short term goals are really just to be creatively stimulated and to be excited about material I might be working on.
Acting is something that I always wanted, but I never paid attention to the notion that it might actually work out. You have all sorts of ideas about what you want to do - at one stage, I wanted to be a jockey - but this is the one that's a big deal.
I do a lot for PETA. I do a lot of things I think are really important, I volunteer at school and I'm still amazed I can pay my bills because I feel like I don't work that much, I really don't.
The lead guitar work is a bit repetitious, but when a song is under two minutes long, I don't have much room anyway. Thank goodness. But I've always contributed guitar parts to every band I've ever been in, so I'll always play the axe.
I want my son - and my kids, if I have more - to grow up in a way that is as anonymous as possible. The fact that his father and I have chosen to do the work that we do doesn't give anybody the right to invade our privacy.
I try to do as much as possible for every character. Some of them, it is easier to do the research because you have either real examples that you work with, maybe some specific person that inspires you in that case, or the performances from other peo...
There are cliques in Bollywood, and people stick together, but I have always tried to stick to my work. As an industry, Bollywood is very competitive, and I'm very competitive as a person, but I've never been a part of any clique, and I've always wor...
I'm extremely, extremely lucky to be who I am and do what I do and work with the people I work with. Even though I can always find something to complain about, I find it very hard to complain.
I'm not afraid of hard work. I like it! It's the other bit - the not working - I find more problematic. If I'm not busy, I just get antsy. I've been this way since I was a child. Sitting still is like torture for me.
Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood til...
A movie is a filmed rehearsal in a way. The audience doesn't know that because you're taking out the things that don't work. There's no comparison to the theater because it's live. But making a movie is just as challenging and exciting, I find. A mov...
When you deal with a comedian who has a specific act, you can't hold 'em back. You got to work with 'em, dude. What you think, I'm just gonna do what's on the page, say 'yes sir, no sir'? I'm creatively beyond that.
Some of our early work was two minutes twenty when it actually came out on vinyl, very, very, very short. Sometimes if you made a three-minute record they would make you do an edited version for radio, particularly in America.
I'm a producer. I'm a musician. And my job is to come in and, you know, put - you know, I treat all of the artists that I work with, like, you know, the way da Vinci was looking at Mona Lisa, you know, there's an interesting backdrop.
Every shot is unique, even if it's just a close-up, an insert of your hand. You've got to work with the guy behind the lens to get it right, focus in. Those are critical little nothing things, but you've got to work with the people who are trying to ...
