Especially with Facebook and Instagram and Twitter, I can't tell necessarily the nitty gritty of what you're really up to. I'm just seeing the performance of all the work you're doing and the look you're giving; it's very hard to get to the center. I...
I used to go around looking as frumpy as possible because it was inconceivable you could be attractive as well as be smart. It wasn't until I started being myself, the way I like to turn out to meet people that I started to get any work.
My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do ...
I am used to doing dramatic work, but its fun to grab a gun, and go running around, getting beat-up. Its fun to do the action stuff, because it is really physical. There is nothing like getting into a character by getting beaten up physically.
When you work with a legend as I do, it's wonderful. There's so many things I've learned working with Keith. He's so patient, not only with me, but with everyone in our crew and with the audience and with the game. He has a style that is so easy and ...
The dream would be to work with my two favorite actors, Daniel Day Lewis and Cate Blanchett. Or playing Joaquin Phoenix's brother in a film. Basically anything where I get to act opposite actors like these; ones who bring a certain caliber to their w...
You've got to put interesting people around you; you've got to work with people who are gonna inspire you to take the songs you've written into a completely different direction, because there's nothing more boring than going to the studio and predict...
When you're playing in front of people, everything is external. It's all going from you out to an audience. When you're in a studio, it's very internalised, it's going from the air through you into this meticulously crafted, layered piece of work.
I could never just play in a pub in front of four people because I would have had all the press turn up. That way, you don't get to build up naturally. It makes the work feel unnatural, and puts a lot of unnatural pressure on you.
I never wanted to stay in one genre; I never wanted to be pigeon-holed or defined as the actor who only worked in one genre. I want to be able to work in all different genres. For me it's fun, and that's how I grow as an actor.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there. So you ...
I do think it's perfectly natural and human to want to invest belief in something. It's just a facet of who we are. What do I believe in? I believe in the obvious things. The people I'm close to and my work - it's not complicated.
I think the other honest attraction was that I just grew up loving watching TV and loving watching film, and there's so many directors and actors that I dreamed of working with, I just really wanted to take a crack at it and see if I could ever work ...
Free speech is against governments, not against the NBA. So the players and coaches and indeed owners have been fined for their speech, which is costly rather than free. I sort of acknowledge that there is not free speech when you agree to work in th...
The joy of my career is I've been very blessed to be able to be an actor in major films, television, theater, and also British radio. In fact, my dream as an actor when I started out was to be able to work in all the media. Thankfully, that's what I'...
Most electronic equipment uses the principle of amplification. You need filters, modulators and mixing equipment which have gain stages. By piling these components up, I was able to work without any sound generators and I made several pieces in that ...
People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tr...
I was seeing everything through pain. I would roll out of bed and do my exercises. I had to do that to work out the remainder of the pain pills. I would drink coffee and go to the set and plunge myself so far into my work.
I constantly have anxiety about being the lead of the show. I don't talk about it because it scares me. But I've always wanted to be part of something where I could work on a character in such a big manner, and you get offered that with all the trapp...
I normally work like a vampire. Around 8 to 9 P.M., what I call 'the spirits' actually show up, and then I just go in the booth and scream on top of a track. I only sing on the mic. I don't sit down and write anything.
I keep getting compared to Marina and the Diamonds because she's kind of in the same place as me at the moment. It's quite annoying being compared, actually, because it almost downgrades your work and makes you feel like you're just another female ar...
