What people don't know about oppression is that the oppressor works much harder. You always grew up being told you were not smart enough or not fast enough, but we all lived from the time we were children to beat the system.
I'm very motivated by the occasional creative payoff that comes when something goes really well, be it a song, a recording or performance. The payoff is enormous - when you get it. Most of the time, though, I'm filled with self-loathing and general f...
The first win came very quick, and I didn't know what it meant to win a major championship. I was a teenager, I was very young. I didn't know what I was doing. I just needed some time to get settled in on the tour.
I don't rehearse with my actors... the first rehearsal is the first time we turn the camera on... Sydney Pollack never rehearsed his actors, and I found out that's allowed... so you film reactions; you don't create them.
My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie joint called Utah Coal & Lumber that was one of only two or three restaurants at that time. Park City was a sleepy little mining town, with not a condo in si...
It's about your heart and about your consciousness. It's not about length of time you pray. Some of the most powerful prayers I've ever heard come from children, who can barely speak.
That's kind of fuse for the show - those first 10-15 seconds you're onstage. The curtain drops and you see the crowd for the first time and they see you for the first time. The response and the energy that's going on right there - to me, that sets th...
Every time I open a new restaurant, I wake up in the middle of the night moaning about bread and water. I dream I am in the middle of the dining room, and I am panicked.
I've got no problem whatsover with collar bars coming back in. I need to look a tiny bit older before I can dress like that the entire time - otherwise I'm going to look like I'm in 'Bugsy Malone.'
I'm not somebody who carries around a notepad and writes songs all day long. I don't imagine everything I think of is worth being in a song. So I tend to collect notes, and I set time aside to go to work and write songs.
Sometimes I go out disguised, but people still recognize me, so I find there is no point in even trying. It would be nice to get away from it, from time to time, but the fact is, there is no place on earth where I can go unrecognized.
And this whole period of time of gradually working at being a better guitar player and songwriter have gradually led me to the point where I feel I'm doing a clearer representation of the thing that I've been feeling inside me since I was four years ...
I think a solo moves forward the way a song does, because it's reflective of the chords that I'm considering as I'm soloing, and at the same time I'm going as much out on a limb as Frank Zappa used to, in terms of just going crazy on the instrument.
I am a keen medievalist and like going around museums and ruins and finding out about the people and local culture. I'm not one for sitting by a pool or lying on a beach. I also like to sketch while I'm on holiday, if I have time.
I think I've always been a player who's done better in the second half, who's done better in the fourth quarter. That's the fun time to play, when everything you've worked for the whole game boils down to those last few possessions.
If you send up a weather vane or put your thumb up in the air every time you want to do something different, to find out what people are going to think about it, you're going to limit yourself. That's a very strange way to live.
I think that, certainly, most of my operatic roles are in German. I think it happened because, of course, I was lucky in that I was invited to sing, first of all, my operatic debut in Berlin at the Deutsche Oper Berlin, which was West Berlin at the t...
You know, I went to Oberlin. At that time, grades were - you elected to have them or not. It was all of that era where grades were out the window. But I did very well in school. I didn't really study the arts; I practiced the arts.
I'm really honored that Bon Iver gives me a platform to do whatever I want, but there's only so much time you can spend digging through yourself before you become insular. I'm not in a hurry to go back to that temperature.
I tend to eat things in fours. I'll eat four nuts, four grapes, four chips at a time. I don't know why. It's not really a superstition. I don't think anything bad will happen if I don't, but three potato chips doesn't seem right.
Throughout the lead-up to the war, CNN worked hard to air all sides of the story. We had a regular segment called Voices of Dissent in which we spent time covering antiwar protests and interviewing those who were opposed to the war with Iraq.
