I can't think of any musician or producer who has influenced me more than Brian Eno. From when he was in Roxy Music, producing Devo, the Talking Heads and My Life in the Bush of Ghosts.
As I look back over my life, before I had any real identity, I was a traveler. I grew up an Army brat, a runaway, an activist, and a musician. All my life I've been traveling.
I am perhaps the oldest musician in the world. I am an old man but in many senses a very young man. And this is what I want you to be, young, young all your life, and to say things to the world that are true.
I do a lot of touring, yes, and I have my whole life ever since I was 19 years old, when I used to tour with Al Jarreau, Rickie Lee Jones, and Jackson Browne as a side musician.
But when I was a teenager, the idea of spending the rest of my life in a factory was real depressing. So the idea that I could become a musician opened up some possibilities I didn't see otherwise.
Every time you go in, it's like starting over. You don't know how you did the other records. You're learning all over. It's some weird musician amnesia, or maybe the road wipes it out.
What you learn from working with other performers and musicians is invaluable, really, and can only help you grow. I mean, if you spend your whole life focusing on yourself, you're not really learning much.
High school and college were my punk, formative years. I was playing hardcore, learning to be a musician. In bands, you tour, but you're paid nothing; you're playing to 50 people in a basement, sleeping in a van, and you love it.
I just play the music that I love with musicians that I respect, and fortunately, I'm in a position where people are willing to play with me, and perhaps I can do something to help them.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
If I wasn't acting, I'd try and be a footballer. I wouldn't be a musician because I can't write my own music. Realistically, I'd probably do something with dogs, like a vet or something. I love animals.
I love the power of the musician who composes and performs. I envy their ability to put a nugget of truth in three minutes of sweat and emotional outpouring, colored entirely from their thoughts.
I always knew I wanted to be a musician, and I always knew I wanted to write, 'cause the people I was listening to all wrote. I never thought it was an option to sing anyone else's songs.
I was a 'Big Brother' fan. I thought they were better musicians than their detractors claimed, but more to the point, technical accomplishment was not something I cared about.
As the mother teaches her children how to express themselves in their language, so one Gypsy musician teaches the other. They have never shown any need for notation.
I didn't want to become a personality, I wanted to be a musician, but because I didn't have an album to stand by yet it was hard for people to see that. But now, two albums in, I'm happy with things.
Haute couture is like an orchestra, for which only Balenciaga is the conductor. The rest of us are just musicians, following the directions he gives us.
I always dream about other musicians. And they're never interested in hanging out with us. It's like being at school and the bigger boys don't want to play with you!
Some musicians like to decorate their walls with discs saying: '1 million records sold in America.' I prefer to put up discs marking sales in lesser-known countries.
I visit studios. Just to get the feel, the smell, and see what other people are doing. Not only listening to the radio, but going to studios, greeting musicians and artists, just getting a vibe.
I wouldn't recommend being a musician to anyone. It's not glamorous. It's a lot of being dirty, not eating, playing for five people and one of them is the bartender.
