The No. 1 best-selling Christmas album of all time is from Kenneth Bruce Gorelick, the Jewish smooth-jazz legend Kenny G. American Jews have always produced a lot of holiday music, just not Hanukkah music.
I had a very thorough grounding in music; I'd grown up around songs. My parents listened to a lot of music. My dad was majorly into jazz, which was absolutely a big influence on me, even if it was more subconsciously as a kid.
I was really fortunate growing up to have a broad musical education. My parents listened to all kinds of music, rock, soul, Motown, jazz, Frank Sinatra, everything.
The first job I ever had was singing in a jazz club when I was like 15 with my friend, and we earned like 70 bucks. We were like, 'Oh my God!'
I made a good living for a teenager. And I had to learn all different kinds of music - jazz, swing, Motown, pop - and that inspired what kind of music I started to write.
I just try to do as good job with the material as I can and play some jazz as well, some improvised music, and do that every night. Just see where it goes.
I was pretty much prepared because I was already playing in extremely good ways when I arrived from Europe because I played jazz four or five years before I arrived here.
I'm basically a cocktail jazz kind of pianist. I'll be the first to admit that I'm not a very good keyboard player. People think I think I'm good. I think I'm a very poor piano player.
I also thought of playing improvisational jazz and I did take lessons for a while. At first I tried to write fiction by making up things that were completely alien to my life.
I love doing 'The Price is Right.' It's so much fun. I love meeting everybody and giving out prizes, especially when it's not my money. It's really a happy place, and everybody is all jazzed up.
I'm not really a country singer, although I did make a couple albums and love its simple, straight-from-the-heart approach, but I have always sung a lot of jazz, show tunes, pop tunes, gospel and blues.
The jazz rhythm won't be understood by the bulk of my audience. That's the problem. We can get away with maybe one tune a night. It depends on where we place it. A song like 'Beyond the Sea,' the fans love that. It's fresh.
As an artist, you have to express yourself. I make no excuses for my versatility. I grew up singing classical arias, but I love rock n' roll and jazz standards.
The only things that the United States has given to the world are skyscrapers, jazz, and cocktails. That is all. And in Cuba, in our America, they make much better cocktails.
Anyone who's just driven 90 yards against huge men trying to kill them has earned the right to do Jazz hands.
I learned jazz; that comes from blues. I learned rock; that comes from blues. I learned pop; that comes from blues. Even dance, that comes from blues, with the answer-and-response.
'Star Trek' scared me a lot more than 'White Jazz.' It terrified me, really. Because of the scale, the responsibility, the fact that it was this iconic character. It was the bigger challenge, so I had to take it.
I liked this God very much because you hardly had to talk to it and it never talked back. Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality
I still play jazz, and I've always got that trumpet very handy, but I'm coming to feel the classical venues are where my main focus is, in the realm of symphonic pops.
He would catapult you forward, and that was his intention with the Jazz Messengers. He would take young people with a potential and help them develop a voice as a player and as a writer.
I listened to classical guitar and Spanish guitar, as well as jazz guitar players, rock and roll and blues. All of it. I did the same thing with my voice.
