When I have to compete with John Coltrane and Miles Davis and Louie Armstrong on iTunes, which I'm doing now, that's a problem. That means that jazz is not being heard by younger audiences.
There is an awful lot of what I call recreational jazz going on, where people go out and learn a particular language or style and become real sharks on somebody else's language.
Jazz has an audience all around the globe and has had for many decades, I think speaking of the United States, let's say that what we need is more of an official recognition.
I think what we need is a more welcoming mode from the people who put on a hundred million country-western shows on television. How about a monthly jazz show?
The way jazz works is that we take a theme, and then we write using the same structure, same chord changes, and then we can do different tunes.
When I started recording, I thought I'd be able to do all kinds of records: jazz, country, dance - and I've always wanted to do a gospel album.
Grover Washington was my main influence, and when I went to college, I started listening to more of the jazz masters like Sonny Rollins, Cannonball Adderley, and John Coltrane.
Well, Grover Washington was my main influence and when I went to college, I started listening to more of the jazz masters like Sonny Rollins, Cannonball Adderley, and John Coltrane.
My ex calls the ochre winter 'autumn' as we queue to hear dock boys play jazz fugues in velvet dark.— Broken Verses
Amy [Winehouse] changed pop music forever, I remember knowing there was hope, and feeling not alone because of her. She lived jazz, she lived the blues.
My brother Leon started it all. He played the piano. In school they made me leader of the orchestra because I played the violin, but I followed Leon and the boys in his jazz band around.
To me, 'Blue Like Jazz' is a quintessential American story. So many people are just like Don - raised Christian and go off to college only to abandon their beliefs in order to fit in or be accepted.
When the subsidies are going out there to fund arts, I'd like to see jazz given a better shake of the dice. It attracts as many people as opera does, but not the subsidies.
I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself.
The economic picture in the States today doesn't allow for jazz concerts in a tour fashion. People now are too used to the Festival, which gives them more names for the same price.
Amsterdam must have more than a million people. But the only area where jazz is really profitable and successful in an economic sense is in Japan. That's because they haven't been exposed enough.
A jazz tune, melody, or composition is usually based on either a traditional twelve-bar, eight-bar, or four-bar blues chorus or on the thirty-two-bar chorus of the American popular song.
I'd love to give my girls a traditional Thanksgiving with turkey and all that jazz, but we've raised them to love Tuscan food so much that they don't care for it. My favorite is a nice polenta with beef stew and broccoli rabe on the side.
Once 'A.N.T. Farm' started, I was inspired by Chyna to jazz up my style. Now I paint my nails bright, fun colors and add a bunch of accessories and some cool shoes to jeans and a T-shirt.
Cicadas, buckling and unbuckling their stomach muscles, yield the sound of someone sharpening scissors. Fall field crickets, the thermometer hounds, add high-pitched tinkling chirps to the jazz, and their call quickens with warm weather, slows again ...
The one thing that I've learned is that people don't change. Each new generation has the same stuff that the last one did. It's one of those things where jazz kind of works in five-year cycles.
