The most important thing is that you honor that musical integrity, whether you make music that sounds like ABBA or you make music that sounds like Void.
I got to where I couldn't listen to country radio. Country music is supposed to have steel and fiddle. When I hear country music, it should be country.
People say my music is English. I don't know what it is. Maybe it's not me writing English music, but that English music is becoming more like me.
There are so many music genres competing against each other, but I feel like country music has always been a unified front.
Some people think electronic music is cold, but I think that has more to do with the people listening than the actual music itself.
I think I was first awakened to musical exploration by Dizzy Gillespie and Bird. It was through their work that I began to learn about musical structures and the more theoretical aspects of music.
I'm not interested in forcing my music on people, and that's what the whole music industry nowadays is based on is forcing stations to play it, forcing people to listen to it.
I came up during that time when music, to me, was really music. It wasn't about talking about a woman and calling them a derogatory name or something like that. It was real music.
Music runs through everything I do - I even think musically; even when I was acting, but, especially, when I am directing. Directing is very musical.
You don't ever want to devalue music. Music is important; it's necessary product. I always try to make sure that there's a value - that people appreciate music and realize that there's a value to it.
The whole world has changed much since the '80's. In the united States, rap music and country music dominate radio and that certainly wasn't the case in the early '80's.
America is tough for rock music. Rock n' roll used to be the main music for the youth, and it's not so much anymore. It's hip-hop and stuff.
Music has always been transnational; people pick up whatever interests them, and certainly a lot of classical music has absorbed influences from all over the world.
I make music that I know that people will enjoy, and balance the ideas and philosophy that we put in music with music that when we play it live, people can move to it and groove to it.
The musical theater is a glorious and distinctly American innovation in the history of theater.
There are, of course, inherent tendencies to repetition in music itself. Our poetry, our ballads, our songs are full of repetition; nursery rhymes and the little chants and songs we use to teach young children have choruses and refrains. We are attra...
Why is it that the musical public is seemingly so reluctant to consider a musical composition as, possibly, a challenging experience? When I hear a new piece of music that I do not understand I am intrigued - I want to make contact with it again at t...
I hope people half my age and twice my age will listen to my music - I want it to live forever and for my audience to feel like they have a friend in my music. Music is a spirit. It heals. It's an amazing thing to be loved and appreciated, and someti...
For me music is pretty personal. I generally listen to it alone, and I've never been a lover of concerts. So I don't think I really bond with other people over music. That's not unique to music for me, either. I feel that way about film, television, ...
The dilemma of the eighth-grade dance is that boys and girls use music in different ways. Girls enjoy music they can dance to, music with strong vocals and catchy melodies. Boys, on the other hand, enjoy music they can improve by making up filthy new...
Music, uniquely among the arts, is both completely abstract and profoundly emotional. It has no power to represent anything particular or external, but it has a unique power to express inner states or feelings. Music can pierce the heart directly; it...
