What I see for the band by the end of this year is the Complex live at the Montreux Jazz Festival. I want my guys to be comfortable. I'm certainly not in this for the money, but I'd really like to see my guys make some money off of this stuff.
To be a jazz freedom fighter is to attempt to galvanize and energize world-weary people into forms of organization with accountable leadership that promote critical exchange and broad reflection. The interplay of individuality and unity is not one of...
We don't live in a jazz world, unfortunately. I think if I had lived in a jazz world, I would have done OK. I'm not sure I would have done great. I'm a lover of jazz music, so I would have been happy, don't get me wrong. I go to jazz concerts like th...
My early influences were the Shadows, who were an English instrumental band. They basically got me into playing and later on I got into blues and jazz players. I liked Clapton when he was with John Mayall. I really liked that period.
I used to sing with my father's jazz band and then when I was ten years old a musician friend of his suggested that I try out for the first west coast production of Annie.
When I was playing piano, it was like, 'I'm going to write a song using all the white keys.' My music director, who knew my jazz background, suggested I try big-band music, so we spent a year experimenting with it in concert, and the audience reactio...
I always told the people at Cal Arts that if they wanted me to do Jazz studies, first of all, there couldn't be a big band within 500 miles and that I could do what I wanted to do. And they said I could.
I was in this public high school in Princeton, and it had this topnotch jazz program - if you were a musician of any kind of caliber, your holy grail was to be in that orchestra. It was that claim to fame of the school, of the town, other than the un...
My favorite band of all time is The Clash. The thing I love about The Clash is they started out as guys who could barely play three chords. They dabbled in reggae, punk, rap, jazz. They came to a sound that could only be defined as The Clash. It was ...
Kansas City, I would say, did more for jazz music, black music, than any other influence at all. Almost all their joints that they had there, they used black bands. Most musicians who amounted to anything, they would flock to Kansas City because that...
The age of 18 seemed the right time to try something different in my life. Moving to the U.K. was a risk, and I was never confident that I could ever make a full-time living being a musician, but I had to try. Initially, I worked as a jazz musician i...
In high school, I was always into Jerry Lee Lewis, and they decided they needed a piano player for the jazz band. I had my little boogie-woogie thing that I did, so I did my little boogie-woogie thing. I had a very high-pitched voice.
The guitar is such an incredible instrument; it plays classical, flamenco, jazz, country, bluegrass, rock, acid, blues. You'll never see a clarinet playing Black Sabbath. But you will see a guitar in a clarinet band playing rhythm. It is the most pop...
In the States, this type of jam-band phenomena has opened it up for groups to improvise, admittedly more in the groove area, as opposed to the straight-ahead jazz thing - which is good for me, as that's one part of where I'm at. It's been so great pl...
I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz ...
Big band music, to me, it really has three key elements. First is the lyrics are really sweet, and they're just really family-friendly. The second thing is the music is jazz music, so the music is complicated enough to hold your attention for 5 or 6 ...
I got my love of jazz from my stepfather, who was a jazz musician.
Jazz music should be inclusive. Smooth jazz to me rules out a certain kind of drama and a certain tension that I think all music needs. Especially jazz music, since improvising is one of the cornerstones of what jazz is. And when you smooth it out, y...
I got into trad jazz, then modern jazz, then avant-garde jazz, between the ages of 16 to 18.
I've been around jazz and jazz musicians most of my life.
When I was a kid, I used to listen to my Emerson radio late at night under the covers. I started by listening to jazz in the late 1940s and then vocal harmony groups like the Four Freshmen, the Modernaires and the Hi-Lo's. I loved Stan Kenton's big b...
