When I was 6 years old, I was in a rock band that was horrible called 'Dead End.' The name kind of described us. People liked us; we would go and perform at coffee houses and stuff.
I think of a band like Animal Collective where they really follow their own sound and I think that's a really important thing to do. You can find an audience if you can find your voice.
Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
If journalists ask you again and again about the same bands, you'll end up saying you hate them just because you're so fed up with being asked all those stupid questions.
It's not important to how the band functions or to what we do. That's just many people's opinions on what they see. A lot of people project stuff on you, but that's okay.
I'm definitely responsible for coming in with some basic chord changes, or ideas. Everybody in the band looks to me to come up with the basic seed, so it's not very productive to come in with nothing.
When I published my first novel, 'Slammed,' I included lyrics at the beginning of each chapter from one of my favorite bands, The Avett Brothers. The overwhelmingly positive response from readers to those lyrics really surprised me.
Canada Day comes and goes modestly every year. Sure, there are retail sales promotions and a long weekend. But there isn't bluster or commodity in Canadian celebration. Canada isn't big on bunting. Or jet flyovers, fireworks, marching bands or milita...
It's a lot more comfortable, I must say. Ummm, I didn't think I'd be playing with another band, I kinda thought I was through with that, but I make an exception because they're nice people.
Over the years, I've had to learn to play. For example, when 'Lennon' was on Broadway, I learned my way around the guitar chords because originally we were all going to play the instruments without a band.
I took a private lesson, but it didn't really work out, so I went back to playing along with records. That's really the thing that got me into playing a lot - getting excited about playing along with my favorite bands like Zeppelin and Black Sabbath.
There are few people who define the word, 'rock star' better than U2's Bono. He's revered the world over not just for leading one of the biggest bands ever, but for his very public work on behalf of the underprivileged in Africa.
I have a lot of compact discs. I need them for radio play and convenience. Many bands and artists I am a fan of don't always release their work on vinyl, so I take what they feel like giving me.
The lead guitar work is a bit repetitious, but when a song is under two minutes long, I don't have much room anyway. Thank goodness. But I've always contributed guitar parts to every band I've ever been in, so I'll always play the axe.
There aren't a lot of cover bands that do Boston material or do it well, and the reason for that is that they are hard to play. So we put a lot of work into it. The musicians that I've managed to surround myself with after all of these years are indi...
I can completely take a second World War gun apart and put it back together again thanks to 'Band Of Brothers.' That's always useful. I've got lots and lots of random skills I'll probably never need again.
Fathead Newman: Ray, this fool, Joe Adams, is trying to fine me for being late. Ray Charles: What time did you get here? Fathead Newman: What? Just now. The band's still setting up. Jeff never... Joe Adams: I'm not Jeff. Fathead Newman: That's a fact...
The most interesting of the classic movie genres to me are the indigenous ones: the Western, which was born on the Frontier, the Gangster Film, which originated in the East Coast cities, and the Musical, which was spawned by Broadway. They remind me ...
Jelly Roll Morton: [Jelly Roll Morton enters the hall for the duel, meeting 1900 for the first time] I believe you're sitting in my seat. 1900: [stands, good-naturedly] You're the one that invented jazz, right? Jelly Roll Morton: That's what they say...
SIMON LEWIS, ERIC HILLCHURCH, KIRK DUPLESSE, AND MATT CHARLTON "THE MORTAL INSTRUMENTS" MAY 19, PROSPECT PARK BAND SHELL BRING THIS FLYER, GET $5 OFF YOUR ENTRANCE FEE!
L'homme construit des maisons parce qu'il est vivant, mais il écrit des livres parce qu'il se sait mortel. Il habite en bande parce qu'il est grégaire, mais il lit parce qu'il se sait seul.
