The digestive canal represents a tube passing through the entire organism and communicating with the external world, i.e. as it were the external surface of the body, but turned inwards and thus hidden in the organism.
The physiologist who succeeds in penetrating deeper and deeper into the digestive canal becomes convinced that it consists of a number of chemical laboratories equipped with various mechanical devices.
As was to be expected, the discovery of the nervous apparatus of the salivary glands immediately impelled physiologists to seek a similar apparatus in other glands lying deeper in the digestive canal.
Our experiments not only proved the existence of a nervous apparatus in the above-mentioned glands, but also disclosed some facts clearly showing the participation of these nerves in normal activity.
for to have a deep attachment for a person (or a place or thing) is to have taken them as the terminating object of our instinctual responses." Separation anxiety. International Journal of Psycho-Analysts, XLI, 1-25 (1959(
I have to confess that a strong contributing factor was that I had just taken what was probably the first acid ever made, given to me by a guy called Johnny Fellows, who had just returned from America.
Everything that Traffic ever did, I'd give Steve a complete lyric, titled, written out with the verse, the bridge, the shape and rhyme and then Steve had to figure out how the meter of the words would fit musically.
Take the veto. Bush is the first president since James Garfield in 1881 not to veto a single bill. Garfield only had six months in office; Bush has had over four years.
I don't think the Whataburger would dunk on the In-N-Out Burger, but I never really liked Whataburger or all the other burgers. McDonald's is decent, I guess, but no, the In-N-Out Burger kills them all.
The exciting new thing, call it Internet.2, would be where links were updated and moved depending on where people click. That would give you the kind of content screening that you don't get at the moment.
Michael was a rare breed. There's no question about that. He did things that a lot of players could never do, and still to this day players can't do those things, so the honors that he's had are definitely deserved.
Charles and I go back since college. None of us thought this would happen, we just wanted to play basketball. This is the highest honor that can ever be paid, and it's mind-blowing.
The biggest surprise has been making the adjustment after losing a game. In the NBA you could lose tonight and you have to put that game behind you because you have another game the next night.
In researching 'The Luminaries,' I did read quite a lot of 20th-century crime. My favourites out of that were James M. Cain, Dassiell Hammett, Raymond Chandler and Graham Greene and Patricia Highsmith.
That's the thing: You don't understand burnout unless you've been burned out. And it's something you can't even explain. It's just doing something you have absolutely no passion for.
Futurism: This was a movement of intellectuals who wanted to replace tradition with the modern world of machinery, speed, violence, and public relations. It proves that we should be careful what intellectuals wish for, because we might get it.
In Modernism, reality used to validate media. In Postmodernism, the media validate reality. If you don't believe this, just think how many times you've described some real event as being 'just like a movie.'
Playing Etta James in the movie 'Cadillac Records' really changed me. It was a darker character, and I realized that if anything is too comfortable, I want to run from it. It's no fun being safe.
I thought we were aggressive across the board defensively, and you could just see it grow. As the game went along, you could see the confidence grow. It showed in the fourth quarter.
I think I can be pretty special. I think I can impact a lot in the NBA, especially with my size and my shooting ability and athleticism and just being a humble person.
Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident.